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Matt Hughes Photo

Brisbane based photographer

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180 Degree Rule Photography

Interested in photography? At matthughesphoto.com you will find all the information about 180 Degree Rule Photography and much more about photography.


180 Degree Rule: Everything You Need to Know - NFI

    https://www.nfi.edu/180-degree-rule/#:~:text=The%20following%20strategies%20can%20help%20you%20follow%20the,they%20should%20face.%203%20Diagram%20your%20shots.%20
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Achieve Cinematic Motion Blur Photography With the 180 …

    https://expertphotography.com/photography-180-degree-rule/
    180 Degree Rule There are no shutter angles higher than 180°. A film camera has got to have that time to move the film down for the next exposure. You can, of course, go to smaller angles, such as 90° (1/96s for 24fps), but these are used for specific situations. We keep the 180° angle because it feels more natural to the human eye.

180 Degree Rule: Everything You Need to Know - NFI

    https://www.nfi.edu/180-degree-rule/
    The 180-degree rule is a cinematography rule concerning the space between two actors within a frame. Imagine an invisible line, or axis, passes through the two actors. Under the 180-degree rule, the camera can move anywhere on its side, but it should not pass over the axis. Keeping the camera on one side of the 180-degree line makes sure the actors keep the same left/right …

180-degree rule - Wikipedia

    https://en.wikipedia.org/wiki/180-degree_rule
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What is the 180-degree rule in filmmaking | Adobe

    https://www.adobe.com/creativecloud/video/discover/what-is-the-180-degree-rule.html
    Film school students know the answer — the 180-degree rule, also known as the 180 rule. This cinematographic guideline helps filmmakers create dialogue scenes during principal photography that feel consistent, keeping the viewer focused amid the action. But like many rules, there are times when it can be bent or broken.

180-Degree Rule: Understanding the Cinematography …

    https://www.masterclass.com/articles/understanding-the-180-degree-rule-in-cinematography
    The 180-degree rule in cinematography states that the camera should stay on one side of an imaginary line between characters to preserve visual consistency.

The 180 Degree Rule of Shutter Speed with Video Examples

    https://www.youtube.com/watch?v=qZHXTZvQdzI
    A full explanation of the 180 Degree Rule as we venture through Oregon.QuartzLine Filters: https://bit.ly/2HGatMqRead the full article: https://www.polarprof...

What is the 180 Degree Rule in Film? Crossing the Line …

    https://www.studiobinder.com/blog/what-is-the-180-degree-rule-film/
    The 180 degree rule is a filmmaking guideline for spatial relations between two characters on screen. The 180 rule sets an imaginary axis, or eye line, between two characters or between a character and an object. By keeping the camera on one side of this imaginary axis, the characters maintain the same left/right relationship to each other ...

What is the 180-degree shutter rule when shooting video?

    https://camerajabber.com/what-is-180-degree-shutter-rule-video/
    As a general guide for normal shooting conditions, the 180-degree shutter rule says that your camera’s shutter speed should always be twice that of the frame rate when filming video. Tv = 2xfps. Tv = Timer value or shutter speed fps …

Interested in Filmmaking? Learn the 180 Degree Rule - Photofocus

    https://photofocus.com/photography/interested-in-filmmaking-learn-the-180-degree-rule/
    The 180 Degree Rule is an important one to follow when shooting two or more people in a scene. Essentially, it helps the audience watching the film or video keep the characters straight in their minds and oriented in physical space. This rule draws an imaginary line through the scene; one that the camera should […]

Filmmaking Basics - 180 Degree Rule in Filmmaking

    https://huebliss.com/180-degree-rule/
    180 Degree rule simply states that the camera should stay on one side of an imaginary line drawn between two characters . This means that each character always appears to be facing the same direction throughout the scene, regardless of where the camera is positioned.

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