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About Andre Kertesz Photography

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André Kertész Photography, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/kertesz-andre/
    Kertész felt that intuition was the best ingredient for creating poetic substance. "The moment always dictates in my work" he said. Though he became an accomplished and successful commercial photographer, especially in fashion photography, Kertesz felt that "professional virtuosity" was the enemy of art photography. He made a clear distinction ...

André Kertész - Wikipedia

    https://en.wikipedia.org/wiki/Andr%C3%A9_Kert%C3%A9sz
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André Kertész | Artnet

    https://www.artnet.com/artists/andr%c3%a9-kert%c3%a9sz/
    André Kertész was a Hungarian photographer who emerged as one of the most influential practitioners of the medium. View André Kertész’s 4,432 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available photographs, prints and multiples, and works on paper for sale and learn about the …

Photographer's Biography & Art Works - Huxley-Parlour …

    https://huxleyparlour.com/artists/andre-kertesz/
    B. Hungary 1894-1985. Biography. André Kertész is widely regarded as one of Europe’s leading photographic artists, particularly for his contribution to photographic composition and the photo-essay. The ‘purist’ phase in Kertész’s work, identified with his time in Paris and pieces such as Fork and Mondrian’s Glasses and Pipe (1926 ...

André Kertész Photography - Holden Luntz Gallery

    https://www.holdenluntz.com/artists/andre-kertesz/
    The year 1927 marked Kertesz’s first solo exhibition in Paris and it was in 1928 that he met a fellow Hungarian, Brassaï, whom he introduced to photography. Kertesz would go on to photograph many famous artists such as Piet Mondrian, Marc Chagall, Alexander Calder, and Constantin Brancusi. Buoyed by this accomplishment and inspired by the ...

André Kertész | Photography and Biography - Famous …

    https://www.famousphotographers.net/andre-kertesz
    André Kertész was born in Budapest, Hungary, on July 2 nd, 1894 at a time when photography was undergoing radical changes and becoming available and accessible to more people.Indeed he was known as the father of modern photography and Henri Cartier Bresson said of him ‘we all owe something to Kertész’. He took his first photograph when he was 19 with a cheap box …

André Kertész | MoMA

    https://www.moma.org/artists/3072
    André Kertész (French: [kɛʁtɛs]; 2 July 1894 – 28 September 1985), born Andor Kertész, was a Hungarian-born photographer known for his groundbreaking contributions to photographic composition and the photo essay. In the early years of his career, his then-unorthodox camera angles and style prevented his work from gaining wider recognition.

André Kertész - 578 Artworks, Bio & Shows on Artsy

    https://www.artsy.net/artist/andre-kertesz
    Hungarian, 1894–1985. An important influence on photography both as journalism and as art, André Kertész is known for the visual lyricism and humanism that characterized his practice. A Hungarian-born Frenchman, Kertész moved to New York in 1936, having spent 1925-1936 …. Represented by industry leading galleries.

How André Kertész Helped Define European Photography …

    https://urth.co/magazine/andre-kertesz-photography
    The Greats: How André Kertész Helped Define European Photography. Throughout a far-reaching career that spanned several genres and art scenes, André Kertész’s vast oeuvre laid the groundwork for a generation of photojournalists and fine art photographers. Learn how the pioneering artist rose, fell, and rose again across 70 years of almost ...

Dada Photographer André Kertész’s Distorted, Haunting …

    https://www.artsy.net/article/artsy-editorial-distorted-haunting-vision-dada-photographer-andre-kertesz
    US$5,000–US$7,500. Shadows, surprise, and a hint of the sinister define André Kertész ’s oeuvre. The Hungarian photographer filled his frames with dark humor and the eerie geometries of everyday life. His 1926 picture of a reclining dancer finds a visual rhyme in the twist of its subject’s legs and a torquing white sculpture beside her.

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