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“Aby Warburg’s Mnemosyne Atlas: On Photography, …
- https://rar.rutgers.edu/aby-warburgs-mnemosyne-atlas/
- While we know that Warburg intended to publish the Atlas in volumes of both plates and text, even Gombrich suggests that Warburg hoped his argument could be conveyed solely through pictures. 44 And while Warburg may have appreciated the levelling effect and reproductive flexibility of black and white photography, it nonetheless functioned in his project primarily as a transparent …
Aby Warburg: A Life In Photographs | The Warburg Institute
- https://warburg.sas.ac.uk/archive/archive-collections/verkn%C3%BCpfungszwang-exhibition/aby-warburg-life-photographs
- 9. Outer cover of Aby Warburg’s spring back folder for his notes on Giordano Bruno (1928-1929). Inserted are two photographs of Aby Warburg and his assistant Gertrud Bing, the first taken in Orvieto in March 1929, the second on the balcony of their Roman hotel in November 1928. Inscriptions by Warburg.
Aby Warburg, Grandfather Of Pinterest, Had A Grand …
- https://www.forbes.com/sites/jonathonkeats/2021/05/19/aby-warburg-grandfather-of-pinterest-had-a-grand-vision-for-images-finally-visible-in-this-museum-exhibit/
- Aby Warburg, Bilderatlas Mnemosyne, Panel 39 (recovered). Photo: Wootton / fluid. ... Best Undersea Photography: 20 Winners Of Ocean Photographer Of The Year 2021. Live Concert Tonight On CBS ...
How Art Historian Aby Warburg Changed the Way We See
- https://artreview.com/how-art-historian-aby-warburg-changed-the-way-we-see/
- Aby Warburg in Naples, 1929 But Warburg wasn’t interested in China, and looked to the past more than the future. He looked to visual imagery as holding the unconscious memory of civilisation’s uncivilised pagan past (hence the reference to Mnemosyne, the Greek goddess of memory, in the Atlas ’s full title), a world in which there were humans and nature, and the one …
Aby Warburg - Art History - Oxford Bibliographies
- https://www.oxfordbibliographies.com/view/document/obo-9780199920105/obo-9780199920105-0087.xml
- The German Jewish art historian Aby Warburg (1866–1929) is regarded as a practitioner of visual studies avant la lettre. Born in Hamburg into a well-established family of bankers, he resigned from his birthright to the business and studied art history, archaeology, history, philosophy, and, briefly, psychology.
Philosophy of Photography, special issue: Aby Warburg
- https://arthist.net/archive/16967
- Special Double-Issue: "The Warburg Haus: Apparatus, Inscription, Data, Speculation," Volume 8, Numbers 1 & 2, 2017. This special issue of Philosophy of Photography contains 15 articles relating the work and the heritage of Aby Warburg and, in particular, the apparatus of his library to the present. The articles collected here were first delivered to an …
The First Exhaustive Reproduction of Aby Warburg’s
- https://www.artnews.com/art-in-america/features/aby-warburg-mnemosyne-atlas-reproduction-1202689821/
- 1 E.H. Gombrich, Aby Warburg: An Intellectual Biography, with a Memoir on the History of the Library by F. Saxl, London, Warburg Institute and University of London, 1970, p. ix. It is worth noting ...
Dear Aby Warburg, What Can Be Done with Images?
- https://aperture.org/editorial/album-art/
- Warburg began to search for such pictorial “pre-concepts,” which he termed “pathos formulas.”. Warburg began his search for these “pathos formulas” at exactly the right moment. Photography had become established and offered previously unimagined opportunities for comparing images. “Thanks to the resource of photography, the comparison of images can …
Aby Warburg’s Lost Atlas of Memory – The Camera Store Blog
- https://blog.thecamerastore.com/aby-warburgs-lost-atlas-of-memory/
- September 9, 2020. (updated September 9, 2020) By John Veldhoen. Let me tell you a story: In 1910 there was a historian named Aby Warburg. He described himself as a “Hamburger at heart, Jew by blood, Florentine in spirit”; He collected an art legacy, assembling thousands of years of human history in photographs, and on postcards produced from …
Aby Warburg's History of Art: Collective Memory and …
- https://www.jstor.org/stable/20024391
- aby Warburg's history of art 171 lies perhaps in the contradictory nature of its role and purpose in Warburg's work. The potentially limitless scope of written information and graphic representation contained for Warburg the historical reality of human development and creation. Consequently, his library took on the function of a vastly enlarged ...
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