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Matt Hughes Photo

Brisbane based photographer

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Air To Air Photography Lens

Interested in photography? At matthughesphoto.com you will find all the information about Air To Air Photography Lens and much more about photography.


A GUIDE TO AVIATION PHOTOGRAPHY - Giel Sweertvaegher

    https://gielsweertvaegher.com/2019/05/26/a-guide-to-aviation-photography/#:~:text=If%20you%20want%20to%20shoot%20at%20airshows%20a,need%20some%20diversity%20like%20a%2024-105mm%20and%2050-200mm.
    none

How Air-To-Air Photos Can Look So Good - Alpha Universe

    https://alphauniverse.com/stories/how-air-to-air-photos-can-look-so-good/
    Photo by Sony Artisan Jeff Berlin for Flying magazine. Sony α7R II. Sony 24-70mm f/2.8 GM lens at 41mm. 1/200-sec., f/10, ISO 200. If you look at the photo of airshow star Bill Stein, the guy in the purple airplane, you’ll notice that his propeller is blurred into a singular disc while the plane (and the pilot at the controls) are sharp.

The Best Lens for Aerial Photography

    https://dancarrphotography.com/blog/2018/04/19/the-best-lens-for-aerial-photography/
    by Dan Carr | Apr 19, 2018 | Gear Check, Lenses. A recent aerial photography flight in Whistler reminded to tackle the subject of the best lens for this kind of work. Without a doubt, it needs to be a zoom lens because objects pass quickly and you simply can’t be wasting time switching prime lenses. For me the clear choice is a 24-105mm zoom with image stabilization, …

Essential Lenses for an Air Show | SIGMA Blog

    https://blog.sigmaphoto.com/2016/essential-lenses-for-an-air-show/
    The 70-200mm focal range is pretty much the gold standard for an air to air lens. I was happy with my lens choices as I came barreling down the road to the airport. “Airplane!”. Right in front of me on final for landing. The car was quickly off the road and the Sigma 150-600 and Canon 1DX yanked out of the trunk.

Taking Great Photographs at Airshows - Nikon

    https://www.nikonusa.com/en/learn-and-explore/a/tips-and-techniques/taking-great-photographs-at-airshows.html
    When photographing air to air, and using a NIKKOR lens that offers Vibration Reduction, set the lens to VR Active Mode. When photographing Prop Planes, you want to use a slow shutter speed to blur the propeller, showing motion.

The 3 lenses to get for planespotting and aviation …

    http://thefullgull.com/2-best-lenses-for-aviation-photography/
    The aviation photography workhorses : 70-200 mm and 100-400 mm (for full …

Air to Air photography | Photo.net Photography Forums

    https://www.photo.net/discuss/threads/air-to-air-photography.479103/
    Being air-to-air will help with the shutter speed, but if you can get hold of a 70-200 with VR I think that will be the best option. You will have room to move around a bit in the Rapide (I think that there are 8 seats apart from the two upfront).

Air to Air Photo Shoot 2021 - Lerro Photography

    https://www.lerrophotography.com/air-2-air-photoshoot-2021/
    Our flight plan had us photograph the Avenger for about 30 minutes, then both the Avenger and Corsair in formation for 20-25 minutes, and finally the Corsair by itself for 30 minutes. Each plane performed climbing, diving, banking, and orbital shots. We also had the planes come in close so we could get pictures of the pilots within the prop circle.

A GUIDE TO AVIATION PHOTOGRAPHY - Giel …

    https://gielsweertvaegher.com/2019/05/26/a-guide-to-aviation-photography/
    A fish eye can be handy when shooting in museums and for air to air shoots you will need some diversity like a 24-105mm and 50-200mm. If your budget allows you, go for the light sensitive lenses with a low F-stop (F2.0 or lower). Always go …

Ed Simmons Photography – Aviation Photography, Aerial …

    https://www.edsimmonsphotography.com/2017/07/29/air-to-air-photography/
    Ed Simmons Photography – Aviation Photography, Aerial Photography ...

How to Photograph Airshows - Ken Rockwell

    https://www.kenrockwell.com/tech/how-to-photograph-airshows.htm
    A fast, fixed 400mm f/2.8 lens is ideal for an air show. It's fast enough to catch everything at ISO 100, and the perfect focal length most of the time. With a 80-400mm or 100-400mm I'd have to shoot at ISO 400 at f/5.6 for the same shutter speed, if I have sunlight as I do at Miramar in San Diego, California.

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