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Albert Renger-Patzsch | German photographer | Britannica
- https://www.britannica.com/biography/Albert-Renger-Patzsch
- Albert Renger-Patzsch, (born June 22, 1897, Würzburg, Bavaria [Germany]—died September 27, 1966, Wamel Dorf, Über Soest, West Germany), German photographer whose cool, detached images formed the photographic component of the Neue Sachlichkeit (“New Objectivity”) movement. Renger-Patzsch experimented with photography as a teenager.
Albert Renger-Patzsch | MoMA
- https://www.moma.org/artists/4866
- Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated with the New Objectivity. Wikidata Q62002 ... From 1925 to 1928 Renger-Patzsch set up a studio in Bad Harzburg, Germany and worked as a freelance photographer producing documentary and press photographs. In 1928 Renger-Patzsch moved to Essen ...
Monday’s Photography Inspiration – Albert Renger – Patzsch
- https://photographyandvision.com/2021/05/24/mondays-photography-inspiration-albert-renger-patzsch/
- Albert Renger – Patzsch was a German photographer whose cool, detached images formed the photographic component of the Neue Sachlichkeit associated with the New Objectivity. Born in Würzburg and began experimenting with photography by age twelve. After serving in the military in World War I, he studied chemistry at Dresden Technical College.
Albert Renger-Patzsch | ND Magazine
- https://ndmagazine.net/photographer/albert-renger-patzsch/
- In the early 1930s, Renger-Patzsch taught photography. From the 1940s until his death, he focused on his own projects, working as a freelance photographer and publishing his photographs. His later subjects included natural landscapes, industrial landscapes (Eisen und Stahl, 1930), trees (Bäume, 1962), and stones (Gestein, 1966). Works
Biography: German photographer Albert Renger-Patzsch
- https://monovisions.com/albert-renger-patzsch-biography-german-photographer/
- Albert Renger-Patzsch (1897 - 1966) was a German photographer associated with the New Objectivity. Renger-Patzsch experimented with photography as a teenager. After serving in World War I, he studied chemistry at Dresden Technical College. In 1920 he became director of the picture archive at the Folkwang publishing house in Hagen. In 1925 Renger-Patzsch began to
Albert Renger-Patzsch 1897–1966 | Tate
- https://www.tate.org.uk/art/artists/albert-renger-patzsch-2709
- Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated with the New Objectivity. This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License .
Albert Renger-Patzsch | The MIT Press
- https://mitpress.mit.edu/books/albert-renger-patzsch
- Albert Renger-Patzsch, together with August Sander and Karl Blossfeldt, was one of the undisputed pioneers of twentieth-century German photography. Indeed, what Sander achieved in portrait photography and Blossfeldt in plant photography, Renger-Patzsch achieved in his renderings of objects and the material world.
Albert Renger-Patzsch: Early industrial photography
- https://www.tandfonline.com/doi/abs/10.1080/03087298.1997.10443827
- With its concept of representation, his photography liberated vision from the Pictorialistic way of seeing, which was aimed at making atmosphere and mood visible. By contrast, the sharp focus, purposeful lighting, emphatic vantage points and formenhancing framing displayed in his images increased the viewer's awareness of detail and structure.
Albert Renger-Patzsch - Reframing Photography
- https://reframingphotography.com/content/albert-renger-patzsch
- Albert Renger-Patzsch at Zabriskie Gallery. http://www.zabriskiegallery.com/exhibition.php?ex=16 . Albert Renger-Patzsch, Shoemaking Irons, Fagus Works, Alfeld, 1928 ...
photoquotations.com ⁄ albert renger-patzsch
- http://www.photoquotations.com/a/563/Albert+Renger-Patzsch
- Albert Renger-Patzsch. [Artist, b. 1897, Würzburg, Bavaria, Germany, d. 1966, Wamel Dorf, Über Soest, West Germany.] I’d like to briefly state the accomplishment that we expect from a photographer. He must make the person being photographed forget that he has eaten from the tree of knowledge.
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