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Alfred Stieglitz - 15 artworks - photography - WikiArt
- https://www.wikiart.org/en/alfred-stieglitz
- Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his fifty-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European …
Alfred Stieglitz - The Art and Works of Photographer Alfred Stieglitz
- https://artincontext.org/alfred-stieglitz/
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The Alfred Stieglitz Collection - Art Institute of Chicago
- https://archive.artic.edu/stieglitz/
- IN 1949, GEORGIA O'KEEFFE. gave the Art Institute of Chicago a portion of Alfred Stieglitz’s vast art collection. The gift included 244 photographs as well as paintings, sculptures, u0003drawings, etchings, and prints. This site profiles each photograph, offering images of the front and back of each work, installation views, and links to related publications from Stieglitz’s lifetime.
Alfred Stieglitz Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/stieglitz-alfred/
- Summary of Alfred Stieglitz. A vital force in the development of modern art in America, Alfred Stieglitz's significance lies as much in his work as an art dealer, exhibition organizer, publisher, and editor as it does in his career as a photographer. He is credited with spearheading the rise of modern photography in America in the early years of the 20 th century, publishing the …
V&A · Alfred Stieglitz – Pioneer Of Modern Photography
- https://www.vam.ac.uk/articles/alfred-stieglitz-pioneer-of-modern-photography
- The ideas of Photo-Secession, and the establishment of photography as a fine art, were promoted through Stieglitz's Camera Work, a quarterly photographic journal published from 1903 to 1917. The first issue was printed in December 1902, and like all of the subsequent issues it contained beautiful hand-pulled photogravures (a process that uses gelatin to transfer the image from a …
Alfred Stieglitz | The Art Institute of Chicago
- https://www.artic.edu/artists/36809/alfred-stieglitz
- Alfred Stieglitz. Frank Eugene. Portrait of Alfred Stieglitz, about 1899. Gift of Daniel, Richard, and Jonathan Logan. Date of birth. 1864. Date of death. 1946. A trailblazing photographer, Alfred Stieglitz vigorously championed photography as a fine art and established its value as modern art in America through his own work, the journals he published, and the shows he held at his …
Alfred Stieglitz | International Photography Hall of Fame
- https://iphf.org/inductees/alfred-stieglitz/
- Alfred Stieglitz is undoubtedly one of the most significant contributors to the history of photography. He contributed not only scientific and artistic photographic studies, but also introduced modern art to America and furthered the theory of photography as art. Stieglitz was born in Hoboken, New Jersey on January 1, 1864.
Alfred Stieglitz - Wikipedia
- https://en.wikipedia.org/wiki/Alfred_Stieglitz
- Venetian Canal (1894) by Alfred Stieglitz. In early 1894, Stieglitz and his wife took a delayed honeymoon to France, Italy and Switzerland. Stieglitz photographed extensively on the trip, producing some of his early famous images such as A Venetian Canal, The Net Mender and A Wet Day on the Boulevard, Paris.
Alfred Stieglitz (1864–1946) and American Photography
- https://www.metmuseum.org/toah/hd/stgp/hd_stgp.htm
- Born in Hoboken, New Jersey, in 1864, and schooled as an engineer in Germany, Alfred Stieglitz returned to New York in 1890 determined to prove that photography was a medium as capable of artistic expression as painting or sculpture. As the editor of Camera Notes, the journal of the Camera Club of New York—an association of amateur photography enthusiasts—Stieglitz …
The Alfred Stieglitz Collection | Straight Photography
- https://archive.artic.edu/stieglitz/straight-photography/
- The final issue of Camera Work was devoted entirely to Strand, an emerging photographer at the time, whose work Stieglitz described as “brutally direct.” In an essay reprinted in that volume, Strand advocated an approach that respected both the limitations and the potential qualities of the medium, “accomplished without tricks of process or manipulation, through the use of …
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