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Alfred Stieglitz | Georgia O'Keeffe — Hands | The …
- https://www.metmuseum.org/art/collection/search/271617
- Title: Georgia O'Keeffe — Hands. Artist: Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York) Date: 1919. Medium: Palladium print. Dimensions: 22.9 x 18.9 cm (9 x 7 7/16 in. ) Classification: Photographs. Credit Line: Gift of Georgia O'Keeffe, through the generosity of The Georgia O'Keeffe Foundation and Jennifer and Joseph Duke, 1997
Alfred Stieglitz | The Hand of Man | The Metropolitan …
- https://www.metmuseum.org/art/collection/search/269461
- Title: The Hand of Man. Artist: Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York) Date: 1902, printed 1910. Medium: Photogravure. Dimensions: 24.2 x 31.9 cm (9 1/2 x 12 9/16 in.) Classification: Photographs. Credit Line: Alfred Stieglitz Collection, 1949. Accession Number: 49.55.9
Alfred Stieglitz - 15 artworks - photography - WikiArt
- https://www.wikiart.org/en/alfred-stieglitz
- Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his fifty-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he ...
The Alfred Stieglitz Collection - Art Institute of Chicago
- https://archive.artic.edu/stieglitz/
- IN 1949, GEORGIA O'KEEFFE. gave the Art Institute of Chicago a portion of Alfred Stieglitz’s vast art collection. The gift included 244 photographs as well as paintings, sculptures, u0003drawings, etchings, and prints. This site profiles each photograph, offering images of the front and back of each work, installation views, and links to ...
Alfred Stieglitz. Hands. 1930 | MoMA
- https://www.moma.org/collection/works/83332
- Alfred Stieglitz. Hands. 1930. Gelatin silver print. 4 7/16 × 3 11/16" (11.2 × 9.3 cm). Anonymous gift. 92.1943.3. © 2022 Estate of Alfred Stieglitz / …
Alfred Stieglitz - Hands | All Works | The MFAH Collections
- https://emuseum.mfah.org/objects/37992/alfred-stieglitz---hands
- Photography. Object Type. PHOTOGRAPHS; Provenance Estate of Dorothy Norman; given to MFAH, 1997. Inscriptions, Signatures and Marks. verso of mount in pencil "H / 16 / #1 / VarIV / DN69 / DD25 / AC32 / Alfred Stieglitz-Hands / 1930's[sic]" verso of mount bottom left in ink "Dorothy Norman" verso of mount a stamp "ORIGINAL BY / DOROTHY NORMAN"
Alfred Stieglitz--Hands | Amon Carter Museum of American Art
- https://www.cartermuseum.org/collection/alfred-stieglitz-hands-p198353
- Dimensions. Image: 3 5/16 x 2 7/16 in.Mount: 14 1/16 x 11 1/16 in. Inscriptions. Mount Verso: c. in graphite: Alfred Stieglitz--Hands \ 1930s. l.l. signed in graphite: Dorothy Norman. l.l. [stamp]: ORIGINAL BY \ DOROTHY NORMAN. l.r. in graphite: Variant of \ DN69. Credit Line.
Object Lesson: Alfred Stieglitz’s Hands Beside His Photograph by ...
- https://noma.org/object-lesson-alfred-stieglitzs-hands-beside-his-photographm-em-by-dorothy-norman/
- Alfred Stieglitz’s Hands Beside His Photograph. by Dorothy Norman. Dorothy Norman (American, 1905–1997), Alfred Stieglitz’s Hands Beside His Photograph, c. 1930, Gelatin silver print, Museum purchase, General Acquisitions Fund, 81.379. Dorothy Norman was only twenty-two years old when she walked into the Intimate Gallery and met Alfred Stieglitz, then sixty-three.
Alfred Stieglitz | The Art Institute of Chicago
- https://www.artic.edu/artists/36809/alfred-stieglitz
- The Hand of Man, 1902, printed 1920/39 Alfred Stieglitz; Georgia O’Keeffe, 1918 Alfred Stieglitz; Sun Rays—Paula, Berlin, 1889, printed 1920/39 Alfred Stieglitz; Rebecca Salsbury Strand, 1922 Alfred Stieglitz; The Flatiron, 1903, printed 1920/39 Alfred Stieglitz; Rebecca Salsbury Strand, 1922 Alfred Stieglitz; Georgia O’Keeffe, 1918 Alfred Stieglitz
The Alfred Stieglitz Collection | Straight Photography
- https://archive.artic.edu/stieglitz/straight-photography/
- Nearly a decade later Stieglitz would begin to focus on straight photography in his own work, a change that paralleled his discovery and exhibition of modern painting, drawing, and sculpture at 291. In a 1916 letter, Stieglitz described his most recent work as “intensely direct. . . . Not a trace of hand work on either negative or prints.
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