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Alfred Stieglitz - 15 artworks - photography - WikiArt
- https://www.wikiart.org/en/alfred-stieglitz
- References. Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his fifty-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde …
The Alfred Stieglitz Collection - Art Institute of Chicago
- https://archive.artic.edu/stieglitz/
- IN 1949, GEORGIA O'KEEFFE. gave the Art Institute of Chicago a portion of Alfred Stieglitz’s vast art collection. The gift included 244 photographs as well as paintings, sculptures, u0003drawings, etchings, and prints. This site profiles each photograph, offering images of the front and back of each work, installation views, and links to related publications from Stieglitz’s lifetime.
Alfred Stieglitz - The Art and Works of Photographer Alfred Stieglitz
- https://artincontext.org/alfred-stieglitz/
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Alfred Stieglitz | The Art Institute of Chicago
- https://www.artic.edu/artists/36809/alfred-stieglitz
- Alfred Stieglitz. Frank Eugene. Portrait of Alfred Stieglitz, about 1899. Gift of Daniel, Richard, and Jonathan Logan. Date of birth. 1864. Date of death. 1946. A trailblazing photographer, Alfred Stieglitz vigorously championed photography as a fine art and established its value as modern art in America through his own work, the journals he published, and the shows he held at his …
Alfred Stieglitz Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/stieglitz-alfred/
- A vital force in the development of modern art in America, Alfred Stieglitz's significance lies as much in his work as an art dealer, exhibition organizer, publisher, and editor as it does in his career as a photographer. He is credited with spearheading the rise of modern photography in America in the early years of the 20 th century, publishing the periodical Camera Work (1903 …
Alfred Stieglitz | Artnet
- https://www.artnet.com/artists/alfred-stieglitz/
- Among his most famous images are the portraits of his wife the painter Georgia O’Keeffe. Stieglitz died on July 13, 1946 in New York, NY. Today, the artist’s works are held in the collections of the J. Paul Getty Museum in Los Angeles, the Musée d’Orsay in Paris, and the Smithsonian American Art Museum in Washington, D.C., among others.
Alfred Stieglitz | MoMA
- https://www.moma.org/artists/5664
- Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz was known for the New York art galleries that he ran in the early part of the 20th century, where he introduced many avant-garde European …
Stieglitz’s Portfolios and Other Published Photographs
- https://www.nga.gov/research/online-editions/alfred-stieglitz-key-set/portfolios-and-published-photographs.html
- Stieglitz’s Portfolios and Other Published Photographs. Edward J. Steichen, Alfred Stieglitz, 1907, Autochrome, The Metropolitan Museum of Art, New York, Alfred Stieglitz Collection, 1955 (55.635.10). © 2019 The Estate of Edward Steichen / Artists Rights Society (ARS), New York. Photo © The Metropolitan Museum of Art.
Alfred Stieglitz - Wikipedia
- https://en.wikipedia.org/wiki/Alfred_Stieglitz
- Venetian Canal (1894) by Alfred Stieglitz. In early 1894, Stieglitz and his wife took a delayed honeymoon to France, Italy and Switzerland. Stieglitz photographed extensively on the trip, producing some of his early famous images such as A Venetian Canal, The Net Mender and A Wet Day on the Boulevard, Paris.
The Alfred Stieglitz Collection | Portraits of Georgia O’Keeffe
- https://archive.artic.edu/stieglitz/portraits-of-georgia-okeeffe/
- Stieglitz displayed many of these—including, somewhat provocatively, several nudes—for the first time as part of his retrospective of photographs at Anderson Galleries in 1921. O’Keeffe wrote that Stieglitz’s “idea of a portrait was not just one picture” [3] ; instead, it was a composite of pictures addressing an idea and personality too large to fit in a single photograph.
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