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Allan Sekula – ‘Reading an Archive: Photography between labour …
- https://neil513702.photography/allan-sekula-reading-an-archive-photography-between-labour-and-capital-1999/
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Allan Sekula- Reading Archive: Photography Between Labour and …
- https://essayzoo.org/essay/apa/literature-and-language/photography-between-labour-and-capital.php
- History of photo 1: Allan Sekula- Reading archive: photography between labour and capital Name Course Instructor Date Alan Sekula in Reading archive seeks to show the relationship between photographic culture and economic life. Sekula (1999) begins by mentioning a photographic archive of a mining town in Cape Breton spanning 20 years for the years 1948 …
allan sekula, photography between labour and capital (1983)
- https://vdocuments.net/allan-sekula-photography-between-labour-and-capital-1983.html
- 7/13/2019 Allan Sekula, Photography Between Labour and Capital (1983) 1/7. 7/13/2019 Allan Sekula, Photography Between Labour and Capital (1983) 2/7
MINING PHOTOGRAPHS AND OTHER PICTURES 1948-1968
- https://monoskop.org/images/b/bf/Sekula_Alan_1983_Photography_Between_Labour_and_Capital.pdf
- Photography Between Labour and Capital By Allan Sekula I Introduction: Reading an Archive Every image of the past that is not recognized by the present as one of its own threatens to disappear irretrievably. Walter Benjamin 1 The invention of photography. For whom? against whom? jean-Luc Godard and jean-Pierre Gorin2
Allan Sekula's "Reading an Archive: Photography between Labour …
- https://christiannagess.blogspot.com/2017/10/allan-sekulas-reading-archive.html
- Allan Sekula's "Reading an Archive: Photography between Labour and Capital" Response Sekula refers to Shedden's photographic archives as a commercial archives. "One characteristic of photography is that authorship of individual images and the control and ownership of archives do not commonly reside in the same individual".
ALLAN SEKULA STUDIO - Home
- https://www.allansekulastudio.org/
- Allan Sekula (1951-2013) was an American photographer, writer, critic and filmmaker. Born in Erie, Pennsylvania, he lived most of his life in Los Angeles and the surrounding regions of southern California, earning BA and MFA degrees in Visual Arts from University of California, San Diego, and teaching at California Institute of the Arts for over three decades.
The Mirror Of Circulation: Allan Sekula And The Logistical …
- https://www.societyandspace.org/articles/the-mirror-of-circulation-allan-sekula-and-the-logistical-image
- From The Estate of Allan Sekula, Los Angeles. We can draw from Sekula’s work a sustained and systematic critique of how capitalist abstraction—in its monetary, aesthetic, and scientific dimensions—permeates the relationship between photography and labor, repeating in a sui generis manner the subjection of work under capital. This critique of abstraction, which …
Grey Room | Editors' Introduction: Allan Sekula and the …
- http://greyroom.org/issues/55/11/editors-introduction-allan-sekula-and-the-traffic-in-photographs/
- Along with Photography against the Grain, two other key essays by Sekula also appeared in the mid-1980s: Allan Sekula, “Photography between Labor and Capital,” in Mining Photographs and Other Pictures 1948–1968, ed. Benjamin H.D. Buchloh and Robert Wilkie (Halifax: Nova Scotia College of Art and Design, 1983), 193–268; and Allan Sekula, “The Body and the Archive,” …
Spotlight Essay: Allan Sekula | Kemper Art Museum
- https://www.kemperartmuseum.wustl.edu/node/11592
- Sekula, in “Conversation between Sekula and Buchloh,” 49. Allan Sekula, “Reading and Archive: Photography between Labour and Capital,” in The Photography Reader, ed. Liz Wells (London: Routledge, 2003), 450. For Sekula, the two major trends in the history of photography are represented by Alfred Stieglitz’s pictorialism, on the one hand, and Lewis Hine’s social …
White-Collar Blues: Allan Sekula Casts an Eye Over the …
- https://nonsite.org/white-collar-blues-allan-sekula-casts-an-eye-over-the-professional-managerial-class/
- Aerospace Folktales, “Photography Between Labour and Capital,” and Sekula’s related studies of photographic ideology are rich and over-determined works. Multiple threads are woven in these projects, but it is important to observe that one of the determinations in play is the debate on the PMC and its implications for socialist organising—what might constitute the …
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