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ALLAN SEKULA STUDIO - Home
- https://www.allansekulastudio.org/
- Allan Sekula (1951-2013) was an American photographer, writer, critic and filmmaker. Born in Erie, Pennsylvania, he lived most of his life in Los Angeles and the surrounding regions of southern California, earning BA and MFA degrees in Visual Arts from University of California, San Diego, and teaching at California Institute of the Arts for over three decades.
Allan Sekula | MoMA
- https://www.moma.org/artists/31040
- Introduction. Allan Sekula (January 15, 1951 – August 10, 2013) was an American photographer, writer, filmmaker, theorist and critic. From 1985 until his death in 2013, he taught at California Institute of the Arts. His work frequently focused on large economic systems, or "the imaginary and material geographies of the advanced capitalist world."He received fellowships and grants …
Allan Sekula: Photography, A Wonderfully Inadequate Medium
- https://www.studiointernational.com/index.php/allan-sekula-photography-a-wonderfully-inadequate-medium-review-marian-goodman-london
- The oeuvre of the American photographer, film-maker and writer Allan Sekula (1951-2013) – now the subject of an exhibition, Photography, A Wonderfully Inadequate Medium, at London’s Marian Goodman Gallery – serves as a corrective to this imbalance. From his early film Performance Under Working Conditions (1973) to the late photograph Eyes Closed …
Allan Sekula Archive (Getty Research Institute)
- https://www.getty.edu/research/special_collections/notable/sekula.html
- Allan Sekula (American, 1951–2013) revitalized documentary photography, provided critical foundations for theorizing the relationship between word and image, and was one of the earliest artists to cast a critical eye on globalization as social phenomenon.
Allan Sekula: Photographic Work: Getty Research Journal: …
- https://www.journals.uchicago.edu/doi/10.1086/716584
- Allan Sekula, “Photography and the Dismal Science,” unpublished manuscript, 5 April 1992, Sekula papers, GRI, 2016.M.22, box 5, folder 6. 49. Photography’s antinomic structure is consistently elaborated by Sekula in the late 1970s and early 1980s, and later revised in his essay published in the photographic book TITANIC’s wake (2003).
The Art of Allan Sekula. Photojournalism is the idea of having a
- https://medium.com/@nour.hourani_66287/the-art-of-allan-sekula-fa3815d2950a
- Photojournalism is the idea of having a photo speak louder than text. The American photojournalist A l lan Sekula believes that text oriented photos are …
Allan Sekula: Photographic Work
- https://www.journals.uchicago.edu/doi/pdf/10.1086/716584
- Sekula’s photographic practice from the mid-1970s onward was a project under- stood through what he called in one of his early notebooks the “disassembled movie.”4 He articulated a method of working photographically, alongside text and audio components, the whole conceived as a distinctive mode of editing and sequencing.
Allan Sekula, Against the Grain: An Interview with David Campany
- https://americansuburbx.com/2016/11/allan-sekula-against-the-grain-an-interview-with-david-campany.html
- Sekula’s contribution to photography is huge and I can see why you refer students to his work. There is much to be learned about the production and dissemination of images, ‘the traffic in photographs’, but also how photographs and text can work together. I personally found his work very useful in bridging theory with my own practice.
Context matters: Image and Text in the Works of Allan Sekula and …
- https://photocaptionist.com/context-matters-image-text-works-allan-sekula-martha-rosler/
- Benjamin H. D. Buchloh, “Allan Sekula: Photography between Discourse and Document”, in: Allan Sekula, Fish Story, Düsseldorf 2002, pp. 189–200, here p. 199. This process, which Buchloh describes as “Sekula’s paradox of a ‘realistic montage’” (Buchloh, “Allan Sekula: Photography between Discourse and Document”, 2002, p. 199) can also be applied to Sekula’s …
The Body and the Archive – Allan Sekula – Richard's OCA Blog
- https://richardsocadigitalimageculture.com/the-body-and-the-archive-allan-sekula/
- The invention of photography gave the police a way of cataloguing and archiving what a collection of people looked like. Again this was seen in a political context, Sekula tells us that photo realism was looked at as a way to ”regulate the growing urban presence of the “dangerous classes;’ of a chronically unemployed subproletariat”
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