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And Afterthoughts On Documentary Photography

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IN AROUND AND AFTERTHOUGHTS ON …

    http://theslideprojector.com/pdffiles/ah331/inaroundafterthoughts.pdf
    in Documentary Photography (New York:Time-Life, 1972), captioned Tenant Farmer’s Wife, Hale County, Alabama, 1936; in Walker Evans: Photographs for the Farm Security Administration (New York:Da Capo Press, 1973), captioned Allie Mae Burroughs, Wife of a Cotton Sharecropper, Hale County, Alabama, Summer 1936 (LC-UCSF342-8139A);and

In, around, afterthoughts on Documentary Photography

    https://prezi.com/dsrr69ghbc3a/in-around-afterthoughts-on-documentary-photography/
    The role of the Photographer Section 4 Section 2 Physically coded social reality "Bums are perhaps to be finally judged as vile people who deserve a kick for their miserable choice. The buried text inside the photographs are not …

Martha Rosler, In, Around and Afterthoughts (On Documentary …

    https://www.taylorfrancis.com/chapters/mono/10.4324/9780080468389-12/martha-rosler-around-afterthoughts-documentary-photography-ashley-la-grange
    Rosler asks why documentary photographers still want to photograph the Bowery. (a skid row in New York), when it is no longer possible to justify photographing it. either in terms of helping or exposing the occupants. ABSTRACT. This is a summary of the first part of Rosler’s essay as it appears in The Contest of. Meaning, edited by Richard ...

In, around, and afterthoughts (on documentary photography) …

    https://miltblog.myblog.arts.ac.uk/2020/07/14/in-around-and-afterthoughts-on-documentary-photography-1981-martha-rosler/
    In, around, and afterthoughts (on documentary photography) (1981) Martha Rosler Documentary photography has been much more comfortable in the company of moralism than wedded to a rhetoric or program of revolutionary politics.

Notes on Martha Rosler – In, Around and Afterthoughts (On …

    https://simon513313documentary.net/2020/03/02/notes-on-martha-rosler-in-around-and-afterthoughts-on-documentary-photography/
    Martha Rosler (1981) ‘In, Around and Afterthoughts (On Documentary Photography)’ In: Wells, L. (ed.) (2018) The Photography Reader: History and Theory. (2 edition) (s.l.): Routledge. pp 335-357. I. Photographers became aware of the possibility of photography being a stronger means of raising awareness of social inequality than writing.

(Re)Defining Documentary Photography – Then and Now

    https://aphototeacher.com/2010/02/01/redefining-documentary-photography-then-and-now/
    In considering the work of Jacob Riis, Lewis Hine, the FSA photographers (Dorothea Lange, Walker Evans, Arthur Rothstein, and others), and August Sander, documentary photography has implied a practice in which the photographer examined a socially conscious concern of the time within an extended form. An extensive series of images as well as the use …

Rosler photo - Portland State University

    http://web.pdx.edu/~vcc/Seminar/Rosler_photo.pdf
    In, around, and afterthoughts (on documentary photography) (1981) Martha Rosler 1. The Bowery, in New York, is an archetypal skid row. It has been much photographed, in works veering between outraged moral sensitivity and sheer slumming spectacle. Why is the Bowery so magnetic to documentarians? It is no longer possible to

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