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“Ontology of the Photographic Image” by André Bazin
- https://sites.lafayette.edu/fams202-sp15/2015/02/13/ontology-of-the-photographic-image-by-andre-bazin/
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The Ontology of the Photographic Image - JSTOR
- https://www.jstor.org/stable/1210183
- ANDRE BAZIN The Ontology of the Photographic Image TRANSLATED BY HUGH GRAY Before his untimely death in 1958 Andre Bazin began to review and select for publication his post-World War II writings on the cinema. Of the planned four volumes, one was published in 1958, and a second in 1959; the remainder await some competent selective hand.
André Bazin's Ontology of Photographic and Film …
- https://www.jstor.org/stable/3700510
- Andr6 Bazin's Ontology of Photographic and Film Imagery First and foremost a film critic and champion of cinematic realism, Andr6 Bazin is generally recognized as one of the most important figures in the history of film aesthetics and his writings on film are universally acknowledged to have influenced a generation of filmmakers, critics,
Influential Theorists: Andre Bazin – The Ontology Of The …
- https://bathtubbulletin.com/influential-theorists-andre-bazin-the-ontology-of-the-photographic-image/
- 1 ‘The ontology of the photographic image’ is an inquiry and assertion by Bazin on the differences between film, and painting/Sculpture. On a wider note Bazin’s ‘ontological’ approach is an inquiry into “what is”, “could be” – and most important to Bazin’s What …
Two Lessons on André Bazin’s “Ontology of the …
- https://intermittentmechanism.blog/2016/12/12/two-lessons-on-andre-bazins-ontology-of-the-photographic-image/
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André Bazin's Ontology of Photographic and Film Imagery
- https://academic.oup.com/jaac/article/63/4/339/5957356
- André Bazin, “The Ontology of the Photographic Image,” in What is Cinema, vol. 1, trans. Hugh Gray (University of California Press, 1971). David Brubaker’s “André Bazin on Automatically Made Images,” The Journal of Aesthetics and Art Criticism 51 (1993) : 59 – 67 , is an exceptional instance of a careful study of an aspect of Bazin's argument. 3
The Ontology of the Photographic Image by Andre Bazin
- https://www.wildreflections.photography/uncategorised/the-ontology-of-the-photographic-image-by-andre-bazin
- Bazin argues that the photographic image is the object itself and furthermore the object is freed from the conditions of time and space that govern it. So photography, freezes a moment in time, in life, freed from destiny – it embalms time. “The aesthetic qualities of photography are to be sought in its power to lay bare the realities.
Andre Bazin's "Ontology of the Photographic Image"
- https://www.youtube.com/watch?v=VYJlq-MwWTY
- An overview of film theorist Andre Bazin's landmark essay "The Ontology of the Photographic Image."Part 2: https://youtu.be/3ACkObJhG6o
The Ontology of the Photographic Image - Semantic Scholar
- https://www.semanticscholar.org/paper/The-Ontology-of-the-Photographic-Image-Bazin-Gray/4ce61c7d368ae000249db85c441a3a707a8ee9c2
- The Ontology of the Photographic Image A. Bazin, H. Gray Published 1 July 1960 Art Film Quarterly Before his untimely death in 1958 Andre Bazin began to review and select for publication his post-World War II writings on the cinema.
André Bazin, "Ontology of the Photographic Image" …
- https://quizlet.com/37974207/andre-bazin-ontology-of-the-photographic-image-evolution-of-language-of-cinema-flash-cards/
- André Bazin, "Ontology of the Photographic Image" "Evolution of Language of Cinema" STUDY PLAY slide notes -most important proponent of realism -founder of Cahiers du Cinema in 1951 -essence of film is its inherent realism, the process of "mechanical photographic reproduction" -film comes closest to "embalming reality"
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