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Bazin and Realism
- https://www.linkedin.com/pulse/bazin-realism-syed-wadud
- ‘REALISM’ IN FILM “ Photography does not create eternity, as art does; it embalms time, rescuing simply from its proper corruption” – André Bazin, The Ontology of the Photographic Image It gives us...
“Ontology of the Photographic Image” by André Bazin
- https://sites.lafayette.edu/fams202-sp15/2015/02/13/ontology-of-the-photographic-image-by-andre-bazin/
- Bazin compares two filmmaking styles, the style concerned with an image and the style concerned with reality. A photograph is of a specific moment in time and a specific place, while art can be of any moment in any place which is why Bazin argues that a painting is more eternal than a photograph.
The Ontology of the Photographic Image by Andre Bazin
- https://www.wildreflections.photography/uncategorised/the-ontology-of-the-photographic-image-by-andre-bazin
- Photography transfers reality from the object to its reproduced form. Bazin argues that the photographic image is the object itself and …
André Bazin's Ontology of Photographic and Film Imagery
- https://academic.oup.com/jaac/article/63/4/339/5957356
- Roland Barthes, Camera Lucida: Reflections upon Photography, trans. Richard Howard ... Noël Carroll argues in Philosophical Problems, pp. 135ff., that the normative dimension of Bazin's realism is built on the mistaken belief that a supposed essence of a medium determines its specific nature, determining how it can and cannot be used to make ...
An Analysis of Film Critic Andre Bazin's Views on …
- http://www.inquiriesjournal.com/articles/86/an-analysis-of-film-critic-andre-bazins-views-on-expressionism-and-realism-in-film
- Film critic Andre Bazin had very strong feelings on the subject of montage and realism. In his article “The Evolution of the Language of Cinema”, he explains his theory that montage, although necessary in many cases to make a film work, can be heavily overused.
Two Lessons on André Bazin’s “Ontology of the …
- https://intermittentmechanism.blog/2016/12/12/two-lessons-on-andre-bazins-ontology-of-the-photographic-image/
- Bazin’s uniqueness claim for photographic representation relies on three main components: photography is automatic (it is mechanically created without human intervention except to set up the apparatus), it is photochemical (its light-sensitive emulsion means that its image is a trace of patterns of light—which, for decades, film theorists have followed Peter …
Epistemological Realism: The major distinction between …
- https://medium.com/photography-tips/epistemological-realism-the-major-distinction-between-photography-and-painting-45ad305677c7
- Typically in photography, it is commonly considered as a realistic expression. As Andre Bazin claims, photographs are the unique way to be extraordinarily or realistic. It can realistically show...
Introduction to André Bazin, Part 1: Theory of Film Style in …
- https://offscreen.com/view/bazin4
- To Bazin the cinema is inherently realistic because of the mechanical mediation of the camera. This is not the same as saying that cinema is “objective” in any sense other than relative, and that cinema is untouched by ideological and cultural factors, as many of Bazin’s critics have said.
André Bazin Quotes (Author of What is Cinema?)
- https://www.goodreads.com/author/quotes/40962.Andr_Bazin
- 49 quotes from André Bazin: 'The cinema substitutes for our gaze a world more in harmony with our desires.', 'it was montage that gave birth to film as an art, setting it apart from mere animated photography, in short, creating a language.', and 'The preoccupation of Rossellini when dealing with the face of the child in Allemania Anno Zero is the exact opposite of that of Kuleshov with …
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