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Distortion #51 1933 - The Metropolitan Museum of Art
- https://www.metmuseum.org/art/collection/search/265734
- Although Kertesz had long been interested in mirrors, reflections, and the idea of distorting the human figure, he did not seriously investigate their photographic possibilities until 1933, when the risqué French magazine Le Sourire commissioned him to make a series of figure studies.
ANDRÉ KERTÉSZ | DISTORTION #166, 1932-1933 - Sotheby's
- https://www.sothebys.com/en/buy/auction/2020/obsessed-iconic-photographs-from-a-distinguished-private-collection/andre-kertesz-distortion-166-1932-1933
- ANDRÉ KERTÉSZ(1894 - 1985)DISTORTION #166, 1932-1933Vintage silver print, printed c. 1932-1933With photographer's stamps '32 bis, Rue du Cotentin, Paris XV' and copyrighton verso.This work is sold framed under museum glass.print/tirage: 19 x11,4 cm; 7 1/2 x 4 1/2 in.frame/cadre: 52 x 42 cm; 20 3/8 x 16 1/2 in.[tirage argentique d'époque, tiré vers1932-1933tampons du …
André Kertész | Distortion #6 - The Metropolitan Museum of Art
- https://www.metmuseum.org/art/collection/search/265378
- Photographs Distortion #6 1933 André Kertész American, born Hungary Not on view Kertész accentuated the narrow ribcage and long waist of the ideal contemporary woman by photographing his model in a carnival mirror.
Distortion #49, 1933 - Andre Kertesz - WikiArt.org
- https://www.wikiart.org/en/andre-kertesz/distortion-49-1933
- ‘Distortion #49’ was created in 1933 by Andre Kertesz. Find more prominent pieces of photo at Wikiart.org – best visual art database.
Dada Photographer André Kertész’s Distorted, Haunting Vision
- https://www.artsy.net/article/artsy-editorial-distorted-haunting-vision-dada-photographer-andre-kertesz
- In addition to these spontaneous shots, Kertész also began one of his most famous series, “Distortions,” in 1933. With the assistance of three mirrors, the photographer stretched and warped nude models—their floating, elongated shoulders, heads, and arms make the figures particularly ghoulish.
DISTORTION #6, 1933 - Sotheby's
- https://www.sothebys.com/en/buy/auction/2020/obsessed-iconic-photographs-from-a-distinguished-private-collection/andre-kertesz-distortion-6-1933
- ANDRÉ KERTÉSZ(1894 - 1985)DISTORTION #6, 1933Silver printStamp on verso.This work is sold unframed.image: 24,5 x 19 cm; 9 5/8 x 7 1/2 in.print/tirage: 25,3 x 20,5 cm; 10 x 8 1/8 in.[tirage argentiquetampon de l'artiste au versoce tirage est vendu non encadré.]Please see shipping calculator link:click here.(«Calculateur des frais d’expédition» sous ce lien)
André Kertész - Artists - Bruce Silverstein
- https://www.brucesilverstein.com/artists/andre-kertesz2/other-works/1927-1933-distortions
- Distortion #92, 1933. Gelatin silver print. 10 x 8 in. Exhibitions. 20th Anniversary Exhibition. December 16, 2021 – February 19, 2022 ... Andre Kertesz’s Photos From His Window. The New York Times. View More. The Distorted, Haunting Vision of Dada Photographer André Kertész. Artsy. View More.
André Kertész | Distortion #40 | Whitney Museum of American Art
- https://whitney.org/collection/works/20516
- Not on view. Date 1933, printed 1960s. Classification Photographs. Medium Gelatin silver print. Dimensions Sheet: 16 × 19 7/8in. (40.6 × 50.5 cm) Image: 15 3/8 × 19 11/16in. (39.1 × 50 cm) Accession number 2003.379. Portfolio Distortion Series . Credit line Whitney Museum of American Art, New York; gift of Manny and Skippy Gerard. Rights and reproductions (c) The …
ANDRE KERTESZ - Distortion No. 82, 1933 — Artefakt
- https://www.artefakt.studio/products/andre-kertesz-distortion-no-82-1933
- ANDRE KERTESZ - Distortion No. 82, 1933 $125.00 Andre Kertesz - Distortion No. 82, 1933 ( 5.7" x 6.6") Andre Kertesz, born Kertesz Andor, was a Hungarian photographer who fled to New York during World War II. He is known for his groundbreaking photographic compositions and the photo essay. Product Details Colors: Black, White
André Kertész Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/kertesz-andre/
- Distortion #49, Paris This image comes from Kertesz's important Distortion series made in the early 1930s. Clearly showing the influence of the Surrealists, Kertesz created these photographs by capturing the reflections of a female nude figure in a convex or concave mirror.
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