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André Kertész | Distortion #51 | The Metropolitan Museum of Art
- https://www.metmuseum.org/art/collection/search/265734
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Dada Photographer André Kertész’s Distorted, Haunting …
- https://www.artsy.net/article/artsy-editorial-distorted-haunting-vision-dada-photographer-andre-kertesz
- André Kertész Distortion #165, 1933 Atlas Gallery Shadows, surprise, and a hint of the sinister define André Kertész ’s oeuvre. The Hungarian photographer filled his frames with dark humor and the eerie geometries of everyday life.
André Kertész Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/kertesz-andre/
- Distortion #49, Paris This image comes from Kertesz's important Distortion series made in the early 1930s. Clearly showing the influence of the …
André Kertész | Distortion #51 | The Metropolitan …
- https://www.metmuseum.org/art/collection/search/265734
- Using a funhouse mirror from a Parisian amusement park, Kertesz, who had never photographed nudes before, spent four weeks making about two hundred negatives. A handful of these Distortions, including this one, are compellingly surreal and unnerving--not unlike Munch's famous painting The Scream of 1893 (National Gallery, Oslo).
André Kertész | Distortion #6 | The Metropolitan Museum …
- https://www.metmuseum.org/art/collection/search/265378
- Distortion #6 1933 André Kertész American, born Hungary Not on view Kertész accentuated the narrow ribcage and long waist of the ideal contemporary woman …
Andre Kertesz Photo Distortions And Classic Nude …
- https://books.apple.com/us/book/andre-kertesz-photo-distortions-and-classic-nude/id1357858061
- Andre Kertesz was a pioneer of nude photography. Arriving in Paris in 1925, he roamed the streets searching for spontaneous photographs of Parisians. Originally from Budapest, he enjoyed considerable commercial success in France, especially following his one-man show in 1927. In 1936 he was extended an invitation to come to the New York City.
Andre Kertesz - Distortion #40, Paris For Sale at 1stDibs
- https://www.1stdibs.com/art/photography/black-white-photography/andre-kertesz-distortion-40-paris/id-a_2904773/
- For Sale on 1stDibs - Distortion #40, Paris, Silver Gelatin Print by Andre Kertesz. Offered by Staley-Wise Gallery. ... Andre Kertesz (Black and White Photography) Stamped with photographer's estate ink stamp on reverse Silver gelatin print, printed c. 1980 10 x 8 inc... Category 1930s Black and White Photography. Materials.
André Kertész: Truth and Distortion - Atlas Gallery | Fine Art …
- https://www.atlasgallery.com/exhibition/kertesz
- André Kertész: Truth and Distortion 11 Apr — 25 May 13 Images from a single-owner collection of over 400 signed prints by Hungarian photographer André Kertész, originally acquired by the current owner from his long standing assistant Nicolas Ducrot over 20 years ago, will go on display at ATLAS Gallery on 11th April 2013.
Andre Kertesz - Distortion #16, Paris For Sale at 1stDibs
- https://www.1stdibs.com/art/photography/black-white-photography/andre-kertesz-distortion-16-paris/id-a_2904783/
- For Sale on 1stDibs - Distortion #16, Paris, Silver Gelatin Print by Andre Kertesz. Offered by Staley-Wise Gallery.
André Kertész - Wikipedia
- https://en.wikipedia.org/wiki/Andr%C3%A9_Kert%C3%A9sz
- André Kertész ( French: [kɛʁtɛs]; 2 July 1894 – 28 September 1985), born Andor Kertész, was a Hungarian-born photographer known for his groundbreaking contributions to photographic composition and the photo essay. In the early years of his career, his then-unorthodox camera angles and style prevented his work from gaining wider recognition.
Lessons in Distortion - Huxley-Parlour Gallery
- https://huxleyparlour.com/critical-texts/andre-kerteszs-melancholic-tulip/
- Melancholic Tulip (1939) is one of Kértesz’s best known photographs, and similarly explores the effect of distortion on inanimate objects. The work features a lone, monochromatic tulip in an elongated vase. The viewer’s eye is immediately drawn to the head of the tulip, which hangs bizarrely lower than the surface upon which the vase rests.
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