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The Alfred Stieglitz Collection - Art Institute of Chicago
- https://archive.artic.edu/stieglitz/
- Alfred Stieglitz, The Steerage, 1907 printed 1915, 1949.847 IN 1949, GEORGIA O'KEEFFE gave the Art Institute of Chicago a portion of Alfred Stieglitz’s vast art collection. The gift included 244 photographs as well as paintings, sculptures, …
Alfred Stieglitz Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/stieglitz-alfred/
- Between 1922 and 1935, Stieglitz worked on his Equivalent series. Directing his camera to the sky, Stieglitz took photos of clouds, hoping the abstracted images would reflect his artistic intent. Cropped close, the images are experiments in shape and composition.
Alfred Stieglitz - 15 artworks - photography - WikiArt
- https://www.wikiart.org/en/alfred-stieglitz
- Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his fifty-year career in …
Alfred Stieglitz | MoMA
- https://www.moma.org/artists/5664
- Alfred Stieglitz (January 1, 1864 – July 13, 1946) was an American photographer and modern art promoter who was instrumental over his 50-year career in making photography an accepted art form. In addition to his photography, Stieglitz …
Alfred Stieglitz - Arthur
- https://arthur.io/art/alfred-stieglitz
- Stieglitz soon gained a fame for both his photography and his writing about photography’s place in relation to painting and other art. In the spring of 1893 he was offered the job of co-editor of The American Amateur Photographer, which he quickly accepted. To avoid the... [http://lumieregallery.net/wp/200/alfred-steiglitz/] undefined
The Alfred Stieglitz Collection | Straight Photography
- https://archive.artic.edu/stieglitz/straight-photography/
- Nearly a decade later Stieglitz would begin to focus on straight photography in his own work, a change that paralleled his discovery and exhibition of modern painting, drawing, and sculpture at 291. In a 1916 letter, Stieglitz described his most recent work as “intensely direct. . . . Not a trace of hand work on either negative or prints.
Alfred Stieglitz (1864–1946) and American Photography
- https://www.metmuseum.org/toah/hd/stgp/hd_stgp.htm
- Stieglitz’s series of photographs of clouds, which he called Equivalent s ( 49.55.29 ), were made in a similar spirit, embodying this last idea perfectly. The cloud pictures were unmanipulated portraits of the sky that functioned as analogues of Stieglitz’s emotional experience at the moment he snapped the shutter.
Alfred Stieglitz's 291 - A Gallery That Changed Photography
- https://www.widewalls.ch/magazine/alfred-stieglitz-291-gallery
- The New York gallery was formally opened on November 24th, 1905 with an exhibition of one hundred prints by Photo-Secession members, all selected by Stieglitz. Over the next few weeks, it attracted hundreds of New Yorkers. Exhibition at the Little Galleries of the Photo-Secession The Influence on Photography and Modern Art
The Alfred Stieglitz Collection | The Photo-Secession
- https://archive.artic.edu/stieglitz/the-photo-secession/
- Along with other artists he felt were advancing the artistic acceptance of photography, Stieglitz decided to “secede” from the accepted ideas, promulgated by many camera clubs, of what constituted a successful photograph. He outlined the terms of the Photo-Secession in a statement published in 1903:
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