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Brisbane based photographer

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Ayana V Jackson Photography

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Ayana V. Jackson - 42 Artworks, Bio & Shows on Artsy

    https://www.artsy.net/artist/ayana-v-jackson
    American, b. 1977. The extravagant and assertive self-portraits of photographer Ayana V. Jackson create counternarratives that respond to the visual representation of the Black body throughout history. Posing in her studio, Jackson takes on the roles of characters ….

Ayana V. Jackson - Ann Arbor Art Center

    https://www.annarborartcenter.org/ayana-v-jackson/
    Ayana V. Jackson (she/her/hers) grew up in East Orange, New Jersey. Having studied sociology at Spelman College, she is interested in the 19th and early 20th century representations of the Black woman’s body. Her work examines myths of the Black Diaspora and re-stages colonial archival images to liberate the Black body.

Through The Lens Of Humanity With Photographer Ayana …

    https://www.harpersbazaararabia.com/culture/art/artists/through-the-lens-of-humanity-with-photographer-ayana-v-jackson
    Ayana V. Jackson was just five years old when she held her first camera. Her father, a photo enthusiast himself, taught her how to use his SLR camera, sparking what would become a lifelong interest in the art of photographic storytelling. Her first camera, a Nikon FM10, was gifted to her by her grandmother during her sophomore year at Spelman College in Atlanta, …

Ayana V. Jackson Brings Myths of the Black Diaspora to …

    https://www.artsy.net/article/artsy-editorial-artist-brings-myths-black-diaspora-life-self-portraits
    Photographer Ayana V. Jackson divides her time between Paris, Johannesburg, and New York—cities on the three continents that marked the triangular slave trade. The history of the black experience in each of her home regions saturates her images, and in new works for “Take Me to the Water,” at Chicago’s Mariane Ibrahim Gallery , she looks to the sea in between.

Ayana V Jackson – U.S. Department of State

    https://art.state.gov/personnel/ayana_jackson/
    Primarily inspired by nineteenth- and twentieth-century portraiture, Ayana V. Jackson’s photographs explore race, gender, and reproduction. Throughout her work, Jackson “examines myths of the Black Diaspora and re-stages colonial archival images as a …

Ayana V. Jackson | Historic Futures | Art Exhibition

    https://www.annarborartcenter.org/galleries/historic-futures-ayana-v-jackson/
    Ayana V. Jackson (born in 1977 in East Orange, NJ, lives and works in Brooklyn, NY) uses archival impulses to assess the impact of the colonial gaze on the history of photography and its relationship to the human body. By using her lens to deconstruct 19th and early 20th-century portraiture, Jackson questions photography’s authenticity and role in perpetuating socially …

Elegant Portraits by Ayana V. Jackson Are Inspired by …

    https://www.thisiscolossal.com/2019/09/portraits-by-ayana-v-jackson/
    In a new photographic series artist Ayana V. Jackson explores the colonial gaze and historical portraiture traditions. Figures, all played by Jackson herself, appear in classical poses, draped in fishing nets, glittering flip-flops, and elegant Western gowns of years past. Each figure is inspired by African and African Disaporic water spirits including Olokun, Mame …

In ‘Dear Sarah,’ Ayana V Jackson Fights Photography with …

    https://www.seattleweekly.com/arts/in-dear-sarah-ayana-v-jackson-fights-photography-with-photography/
    Wednesday, April 12, 2017 1:30am. Arts & Culture. “The hunger for photographs of people in pain is almost the same as the hunger of them naked,” artist Ayana V Jackson coolly stated in a 2013 ...

Ayana V. Jackson - David Klein Gallery

    https://www.dkgallery.com/artist/ayana-v-jackson/
    1 / X. Ayana V. Jackson. AINA - 2016. ARCHIVAL PIGMENT PRINT ON GERMAN ETCHING PAPER. 51 X 30 INCHES. EDITION OF 8. 1 / X. Back to Artists.

"We Are Imagery's Biggest Victims" - C& AMÉRICA LATINA

    https://amlatina.contemporaryand.com/editorial/ayana-v-jackson/
    Ayana V. Jackson is a photographer and filmmaker, with a BA in Sociology from Spelman College in Atlanta Georgia. Her work examines the complexities of photographic representation and the role of the camera in the construction of identity.

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