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“Ontology of the Photographic Image” by André Bazin
- https://sites.lafayette.edu/fams202-sp15/2015/02/13/ontology-of-the-photographic-image-by-andre-bazin/
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Summary Of Andre Bazin's The Ontology Of The …
- https://www.bartleby.com/essay/Summary-Of-Andre-Bazins-The-Ontology-Of-FCCZF3U9ZWR
- In Andre Bazin’s essay, “The Ontology of The Photographic Image”, he argues that one of the defining characteristics and inherent motivations in the production of art and artifacts, be it the mummification of Pharaohs, portraits of Kings and Emperors, is the ‘preservation of life by a representation of life’ (Bazin 238). He elaborates that at the heart of the plastic arts, such as …
Andre Bazin’s The Ontology of a Photographic Image: …
- https://medium.com/@hlyresearchandpractice/andre-bazins-the-ontology-of-a-photographic-image-materiality-and-the-digital-23018ec33d7e
- The photographic image is the object itself, the object freed from the conditions of time and space that govern it”. — Andre Bazins — The …
The Ontology of the Photographic Image by Andre Bazin
- https://www.wildreflections.photography/uncategorised/the-ontology-of-the-photographic-image-by-andre-bazin
- Photography transfers reality from the object to its reproduced form. Bazin argues that the photographic image is the object itself and …
The Ontology of the Photographic Image - JSTOR
- https://www.jstor.org/stable/1210183
- ANDRE BAZIN The Ontology of the Photographic Image TRANSLATED BY HUGH GRAY Before his untimely death in 1958 Andre Bazin began to review and select for publication his post-World War II writings on the cinema. Of the planned four volumes, one was published in 1958, and a second in 1959; the remainder await some competent selective hand.
Ontology of the Photographic Image (Photography …
- https://jewishphilosophyplace.com/2013/04/17/ontology-of-the-photographic-image-photography-surrealism-religion-andre-bazin/
- Bazin’s essay on realist photographic ontology builds upon the ideality of the photographic image. The complete statement is that, “The photographic image is the object itself, the object freed from the conditions of time and space that govern it.”. This would mean that same coupling of realism and idealism-spiritualism (the creation of “an ideal world in the …
Two Lessons on André Bazin’s “Ontology of the …
- https://intermittentmechanism.blog/2016/12/12/two-lessons-on-andre-bazins-ontology-of-the-photographic-image/
- Bazin’s uniqueness claim for photographic representation relies on three main components: photography is automatic (it is mechanically created without human intervention except to set up the apparatus), it is photochemical (its light-sensitive emulsion means that its image is a trace of patterns of light—which, for decades, film theorists have followed Peter …
The Ontology Of The Photographic Image Analysis | ipl.org
- https://www.ipl.org/essay/The-Ontology-Of-The-Photographic-Image-Analysis-P362ZQK6CED6
- André Bazin André Bazin through “The Ontology of the Photographic Image” examines how the mechanically produced photographic image is superior to the manual plastic arts for preserving humans and reality through representation. Bazin explores the existence of the photographic image through his essay. Plastic arts were used in the Egyptian civilization to preserve human …
André Bazin's Ontology of Photographic and Film Imagery
- https://academic.oup.com/jaac/article/63/4/339/5957356
- The nature of Bazin's normative conclusions about photographic art are conditioned by his views on the significance of the appearance of photography in the unfolding of art history, and by his belief in the power of photography to redeem reality from the “piled up preconceptions” that he believes alienate us from the world we inhabit.
Introduction to André Bazin, Part 1: Theory of Film Style in …
- https://offscreen.com/view/bazin4
- He describes it in the following terms: 1) The photographic image is “a kind of decal or transfer”; 2) “The photographic image is the object itself, the object freed from the conditions of time and space that govern it”; 3) Photography embalms time; 4) “The photograph as such and the object in itself share a common being, after the fashion of a fingerprint”; 5) “In no sense is it …
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