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“Ontology of the Photographic Image” by André Bazin
- https://sites.lafayette.edu/fams202-sp15/2015/02/13/ontology-of-the-photographic-image-by-andre-bazin/
- Photography ranks high in the order of surrealist creativity because it produces an image that is a reality of nature, namely, an hallucination that is also a fact. Thus, as a final blow, Bazin makes the assertion that photography is the most important event in the history of the plastic arts and then leads us into his article on the ...
''The ontology of the photographic image'' – Andre Bazin (1945)
- https://pzwiki.wdka.nl/mediadesign/%27%27The_ontology_of_the_photographic_image%27%27_%E2%80%93_Andre_Bazin_(1945)
- In the Ontology of the Photographic Image, Bazin argues that photography is the most important event in the history of the plastic arts because it has freed Western painting from its obsession with realism and allowed it to recover its aesthetic autonomy. (Bazin, 1945).
The Ontology of the Photographic Image by Andre Bazin
- https://www.wildreflections.photography/uncategorised/the-ontology-of-the-photographic-image-by-andre-bazin
- It encourages an acceptance of existence of the object in time and space. Photography transfers reality from the object to its reproduced form. …
Bazin, Andre The Ontology of Photographic Image - Archive
- https://archive.org/details/Bazin_Andre_The_Ontology_of_Photographic_Image
- Addeddate 2017-05-02 23:00:32 Coverleaf 1 Identifier Bazin_Andre_The_Ontology_of_Photographic_Image Identifier-ark ark:/13960/t9x11g677 Ocr ABBYY FineReader 11.0
Bazin & The Ontology of the Photographic Image | CMA …
- https://cma4962.wordpress.com/2016/03/01/bazin-the-ontology-of-the-photographic-image/
- In Ontology, the main innovation of the camera is that it is a mechanical reproduction of an image rather than a human one. Though the …
The Ontology of the Photographic Image - JSTOR
- https://www.jstor.org/stable/1210183
- ANDRE BAZIN The Ontology of the Photographic Image TRANSLATED BY HUGH GRAY Before his untimely death in 1958 Andre Bazin began to review and select for publication his post-World War II writings on the cinema. Of the planned four volumes, one was published in 1958, and a second in 1959; the remainder await some competent selective hand.
André Bazin's Ontology of Photographic and Film …
- https://www.jstor.org/stable/3700510
- given the attention it deserves is Bazin's actual argument in his seminal 1945 essay entitled "The Ontology of the Photographic Image" (hereafter OPI).2 Gregory Currie and Noel Carroll are two notable exceptions, but both misinterpret Bazin on the way to dismissing his position.3 I will return shortly to the interpretations of
André Bazin's Ontology of Photographic and Film Imagery
- https://academic.oup.com/jaac/article/63/4/339/5957356
- Jonathan Friday; André Bazin's Ontology of Photographic and Film Imagery, The Journal of Aesthetics and Art Criticism, Volume 63, Issue 4, 19 October 2005, Page ... André Bazin, “Ontologie de L’Image Photographique,” in Qu’est ce Que le Cinéma? (Paris: Les Editions du Cerf, 1994), p. 9. Hereafter, the French text of OPI will be ...
Andre Bazin's "Ontology of the Photographic Image"
- https://www.youtube.com/watch?v=VYJlq-MwWTY
- An overview of film theorist Andre Bazin's landmark essay "The Ontology of the Photographic Image."Part 2: https://youtu.be/3ACkObJhG6o
Summary Of Andre Bazin's The Ontology Of The …
- https://www.bartleby.com/essay/Summary-Of-Andre-Bazins-The-Ontology-Of-FCCZF3U9ZWR
- In Andre Bazin’s essay, “The Ontology of The Photographic Image”, he argues that one of the defining characteristics and inherent motivations in the production of art and artifacts, be it the mummification of Pharaohs, portraits of Kings and Emperors, is the ‘preservation of life by a representation of life’ (Bazin 238). He elaborates ...
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