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Concerning “the Photographic” | Semantic Scholar
- https://www.semanticscholar.org/paper/Concerning-%E2%80%9Cthe-Photographic%E2%80%9D-Bellour/a62ae8d3e2b5bb49ebe22f20148a0e8f87f31d4b
- Semantic Scholar extracted view of "Concerning “the Photographic”" by R. Bellour. ... {Concerning “the Photographic”}, author={Raymond Bellour}, year={2008} } R. Bellour; Published 2008; Art; View via Publisher. Save to Library Save. Create Alert Alert. Cite. Share This Paper. 6 Citations. Background Citations. 2. View All.
Concerning “the Photographic”
- https://www.researchgate.net/publication/344506500_Concerning_the_Photographic
- Download Citation | On Jan 1, 2008, Raymond Bellour published Concerning “the Photographic” | Find, read and cite all the research you need on ResearchGate
chrismarker.org
- https://chrismarker.org/wp-content/uploads/2015/06/raymond-bellour-concerning-the-photographic.pdf
- Created Date: 11/23/2009 4:10:35 PM
Concerning “the Photographic” - Duke University Press
- https://read.dukeupress.edu/books/book/1330/chapter/165220/Concerning-the-Photographic
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Raymond Bellour: Cinema and the Moving Image on JSTOR
- https://www.jstor.org/stable/10.3366/j.ctv7n08qk
- Bellour’s magnum opus, Le Corps du cinéma: hypnoses, émotions, animalités (The Body of Cinema: Hypnoses, Emotions, Animalities), a massive volume of more than 500 pages, brings together many themes that have marked his exploration of classical cinema over the previous decades.¹ Described as “the first large-scale work on the rhythmic and formal aspects of …
##1022564.docx - PHOTOGRAPHIC STILL LIFE …
- https://www.coursehero.com/file/97220107/1022564docx/
- View ##1022564.docx from NURSING 0506 at Grand Canyon University. PHOTOGRAPHIC STILL LIFE Student’s name Course name Date SURNAME 2 1. Raymond Bellour, "Concerning “the Photographic”," Still
Up Close: Carol Jerrems with Larry Clark, Nan Goldin and William …
- https://www.screeningthepast.com/issue-29-reviews/up-close-carol-jerrems-with-larry-clark-nan-goldin-and-william-yang/
- Raymond Bellour in an essay titled ‘Concerning ‘The Photographic’, describes the photographic as something that “exists somewhere in-between; it is a state of ‘in-between-ness’: in movement, it is that which interrupts, that paralyzes; in immobility, it perhaps bespeaks its …
Stillness in Motion: Todos los caminos conducen al mar
- https://www.semanticscholar.org/paper/Stillness-in-Motion%3A-Todos-los-caminos-conducen-al-Hezekiah/aa6ddd16a762fcdbae171e5236c2f13327ca24d8
- 'The photographic', as I imagine it, is not reducible to photography even while borrowing part of its soul and the fate of which we believed photography to be the guardian. The photographic exists somewhere in-between; it is a state of 'in-betweenness' in movement, it is that which interrupts, that paralyses; in immobility, it perhaps bespeaks its relative impossibility.-Raymond Bellour ...
Film 100 Exam #1 Flashcards | Quizlet
- https://quizlet.com/153198533/film-100-exam-1-flash-cards/
- Start studying Film 100 Exam #1. Learn vocabulary, terms, and more with flashcards, games, and other study tools.
Motion(less) pictures: the cinema of stasis
- https://digitalcommons.wayne.edu/cgi/viewcontent.cgi?httpsredir=1&article=1471&context=oa_dissertations
- 1 Quoted in Raymond Bellour, “Concerning ‘The Photographic’” (trans. Chris Darke), in Still Moving: Between Cinema and Photography, eds. Karen Beckman and Jean Ma (Durham: Duke University Press, 2008), 270. 2 Hollis Frampton, On the Camera Arts and Consecutive Matters: The Writings of Hollis Frampton, ed. Bruce
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