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Berenice Abbott: Changing New York - New York State …
- http://www.nysm.nysed.gov/exhibitions/berenice-abbott-changing-new-york
- Berenice Abbott: Changing New York. In 1929, after eight years in Europe, photographer Berenice Abbott (1898–1991) returned to New York City. She was inspired by its dramatic transformation. New construction was …
Berenice Abbott: Changing New York Paperback – …
- https://www.amazon.com/Berenice-Abbott-Changing-New-York/dp/1565845560
- Inspired by French photographer Atget, Abbott returned to America in 1929 to photograph New York City. With the financial support of the Works Progress …
Berenice Abbott: Changing New York - New York State …
- http://www.nysm.nysed.gov/berenice-abbott-changing-new-york
- Seventh Avenue (Wall Street District) Changing New York In 1929, after eight years in Europe, photographer Berenice Abbott (1898–1991) returned to New York City for what was planned as a short visit. During her absence, hundreds of 19th-century buildings had been razed to make way for dozens of skyscrapers.
Changing New York / Berenice Abbott, 1936-1938
- https://www.aaa.si.edu/collections/changing-new-york--berenice-abbott-6226
- Abbott was a photographer of New York, N.Y, born in 1898 in Springfield, Ohio; died Dec. 9, 1991. Provenance. Donated anonymously 1957. Related Materials. Also in the Archives of American Art are the papers of Elizabeth McCausland which contain an additional set of photographic prints relating to Changing New York. Language Note. English .
Changing New York - NYPL Digital Collections
- https://digitalcollections.nypl.org/collections/changing-new-york
- Photographer Berenice Abbott proposed Changing New York, her grand project to document New York City, to the Federal Art Project (FAP) in 1935. The FAP was a Depression-era government program for unemployed artists and workers in related fields such as advertising, graphic design, illustration, photofinishing, and publishing.
Berenice Abbott | MoMA
- https://www.moma.org/artists/41
- On the eve of the Great Depression she began a series of documentary photographs of the city that, with the support of the Works Progress Administration Federal Art Project from 1935 to 1939, debuted in 1939 as the traveling exhibition and publication Changing New York, (see Daily News Building, 220 East 42nd Street, Manhattan, Fifth Avenue, Nos. 4, 6, 8, Manhattan, and …
Changing New York: Berenice Abbott, Elizabeth …
- https://www.amazon.com/Changing-New-York-Berenice-Abbott/dp/B000OJOCL0
- Douglas Levere, with help from Berenice Abbott, has created a brilliant photo record of the world's premier city.To start with Abbott created the perfect architectural record with the 1935 to 1939 WPA sponsored project when she shot just over three hundred photos of the city (you can see two hundred of these in 'Berenice Abbott: Changing New York', ISBN 1565845560) and Levere has …
Changing New York: Photographs by Berenice Abbott
- https://www.farnsworthmuseum.org/exhibition/changing-new-york-photographs-by-berenice-abbott/
- Under the auspices of the New York City Federal Art Project, a WPA program, Abbott photographed between 1935 and 1938, selecting from among hundreds of shots for an exhibition and book, Changing New York. Abbott later documented science experiments at MIT and variable landscapes along Route 1 from Florida to Maine, the state where Abbott …
Berenice Abbott Photography, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/abbott-berenice/
- After eight years in Paris, Abbott moved to New York in 1929 to document the modern transformation of the city. The resulting book Changing New York (1935-1938) received critical acclaim and has continued to resonate to this day. Accomplishments For Abbott, the photographic image had to be honest, contingent, and objective to be communicative.
Berenice Abbott - Wikipedia
- https://en.wikipedia.org/wiki/Berenice_Abbott
- In 1935, Abbott was hired by the Federal Art Project (FAP) as a project supervisor for her "Changing New York" project. While she continued to take photographs of the city, she hired assistants to help her in the field and in the office. This arrangement allowed Abbott to devote all her time to producing, printing, and exhibiting her photographs.
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