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Bill Henson | Artnet
- https://artnet.com/artists/bill-henson/
- Bill Henson is one of Australia’s most notable leading contemporary photographers. Henson’s stark, signature aesthetic is characterized by his use of dramatic chiaroscuro lighting and bokeh blurred backgrounds, carefully employing light as a tool to highlight drama, terror, or awe. Born on October 7, 1955 in Melbourne, Australia, he briefly studied photography at the Prahran College …
Works by Bill Henson | Art Gallery of NSW
- https://www.artgallery.nsw.gov.au/collection/works/?artist_id=henson-bill
- Bill Henson Untitled Sequence 1979 1979 183.1981.1.a-f. Bill Henson Untitled 1983 1983 142.1987. Bill Henson Untitled 1983 1983 143.1987. Bill Henson Untitled 1983 1983 144.1987. Bill Henson Untitled 1983 1983 145.1987. Bill Henson Untitled 1983 1983 146.1987. Bill Henson Untitled 1983 1983 147.1987.
Bill Henson | Untitled (1993/94) | Artsy
- https://www.artsy.net/artwork/bill-henson-untitled-2
- From Heritage Auctions, Bill Henson, Untitled (1993/94), Oversized digital pigment print, 66 × 42 3/4 in
Bill Henson - Untitled #17 - NH SH83 N19 – Bill Henson …
- https://www.1stdibs.com/art/photography/figurative-photography/bill-henson-untitled-17-nh-sh83-n19-bill-henson/id-a_7302232/
- Bill HENSON (*1955, Australia) Untitled #17 - NH SH83 N19, 2007/2008; printed 2010 Archival Inkjet Pigment Print Sheet 127 x 180 cm (50 x 70 7/8 in.) Frame 128.5 x 178.5 x 5 cm (50 5/8 x 70 1/4 x 2 in.) Edition of 5, plus 2 AP's; Ed. no. 5/5 Framed print – About Bill Henson Bill Henson’s (*1955, Melbourne, Australia) art has been exhibited in numerous prestigious locations, …
Bill Henson | MCA Australia
- https://www.mca.com.au/artists-works/artists/bill-henson/
- Bill Henson’s Untitled 1983–84 is a series of 121 photographs which, when displayed in its entirety, constitutes an epic installation of dark and moody images. The photographs were shot on colour film but Henson has printed the images in a way that intensifies their tonal properties and drains them of all but a trace of colour.
Untitled 1976-, 1976– by Bill Henson :: | Art Gallery of NSW
- https://www.artgallery.nsw.gov.au/collection/works/100.2005/
- In 'Untitled 1976-2005', Henson uses a series of images taken over time to explore the work of the composer Gustav Mahler and the song cycle 'Kindertotenlieder' (songs on the death of children). The five songs in 'Kindertotenlieder' are based on the poetry of Frederick Ruckert and although each deals with the grief associated with losing a child, they speak of light and hope as well.
Bill Henson - 94 Artworks for Sale on Artsy
- https://www.artsy.net/artist/bill-henson/works-for-sale
- Bio. Bill Henson’s photographic works are distinguished by a Caravaggio -like use of chiaroscuro that he creates with carefully positioned lighting and techniques like bokeh blurring, flattened perspectives, and underexposed negatives. With an aesthetic …. Established representation. Represented by industry leading galleries. Works for Sale ...
Bill Henson: Bill Henson, 2022 - Roslyn Oxley9 Gallery
- https://www.roslynoxley9.com.au/exhibition/bill-henson/mwmrs
- Exhibition Dates: 1 April – 30 April 2022. Roslyn Oxley9 Gallery is thrilled to present photographs by internationally acclaimed artist Bill Henson, in a special solo nexhibition marking the 20th anniversary of the iconic monograph Lux et Nox, first published in Switzerland by Scalo in 2002. In a career that has spanned more than forty years, Henson's extraordinary images are in contrast …
Posing naked as an underage model for controversial …
- https://medium.com/abc-news-australia/posing-naked-as-an-underage-model-for-photographer-bill-henson-46ef246cb57f
- Alice Heyward in Untitled #16 2009/2010 by Bill Henson. Photo: Supplied/Bill Henson and the Roslyn Oxley9 Gallery, Sydney Posing naked as an underage model for controversial photographer Bill Henson
Works from Untitled 1985-86 - University of Tasmania
- https://eprints.utas.edu.au/20018/1/Works%20from%20Untitled%201985%20to%2086%20%20Bill%20Henson%201993.pdf
- of Henson's work. Bill Henson's most recent photographic series (Untitled 1983-1984 and Untitled 1985-1986) present a collection of abrupt, questionable, highly suggestive glimpses. Viewers may rapidly sense a rising anxiety: whether or how, these glimpses are connected. A prominent component
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