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Brisbane based photographer

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Bragaglia Photography

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Anton Giulio Bragaglia | The Typist | The Metropolitan …

    https://www.metmuseum.org/art/collection/search/286592
    Bragaglia soon extended this radically modern position to photography and sought to replace the frozen appearance of an instantaneous snapshot with a projection of the subject's dynamism, or interior essence. To accomplish his …

Anton Giulio Bragaglia | MoMA

    https://www.moma.org/artists/16790
    Italian, 1890–1960. Anton Giulio Bragaglia was the intellectual leader of Italian Futurist photography; he made his photographs in collaboration with his younger brother Arturo Bragaglia. Anton Giulio completed his scholastic education at the local seminary in his Italian hometown; however, his artistic training was developed as an assistant, alongside his brothers, in his …

Anton Giulio Bragaglia - The Metropolitan Museum of Art

    https://www.metmuseum.org/art/collection/search/283267
    The Rome-based theater director, set designer, and cinematographer Anton Giulio Bragaglia was one of those influenced by Marinetti's theories. In his essay "Futurist Photodynamism," written in 1911 and published two years later, Bragaglia extended the concept of dynamism to photography. Like the painters who attempted to reproduce the sensation ...

Anton Giulio Bragaglia | Object:Photo | MoMA

    https://www.moma.org/interactives/objectphoto/artists/16790.html
    Anton Giulio Bragaglia was the intellectual leader of Italian Futurist photography; he made his photographs in collaboration with his younger brother Arturo Bragaglia. Anton Giulio completed his scholastic education at the local seminary in his Italian hometown; however, his artistic training was developed as an assistant, alongside his brothers, in his father Francesco …

Arturo Bragaglia | MoMA

    https://www.moma.org/artists/29160
    Arturo Bragaglia began his career making photographs in collaboration with his older brother Anton Giulio Bragaglia. His artistic training was developed as an assistant, alongside his brothers, in his father Francesco Bragaglia’s film production company in Rome. ... From 1922 until 1928 he was the official photographer of his brothers ...

Arturo Bragaglia | Object:Photo | MoMA

    https://www.moma.org/interactives/objectphoto/artists/29160.html
    Arturo Bragaglia began his career making photographs in collaboration with his older brother Anton Giulio Bragaglia. His artistic training was developed as an assistant, alongside his brothers, in his father Francesco Bragaglia’s film production company in Rome. ... From 1922 until 1928 he was the official photographer of his brothers ...

bragaglia photos on Flickr | Flickr

    https://www.flickr.com/photos/tags/bragaglia/
    Anton Giulio Bragaglia, Fotodinamica [Metronomo] (Photodynamics [Metronome]), 1911, Signed and annotated 'Roma' in ink on the image, titled and annotated 'fotodinamica futurista di A. Bragaglia' in pencil and stamped 'Foto Ritratti D'Arte, Piazza Spagna 51' on the reverse, framed, stampa alla gelatina d’argento (silver gelatin print), 11,4 x 17,1 [11,4] cm, Private Collection

Anton Giulio Bragaglia — Google Arts & Culture

    https://artsandculture.google.com/entity/m03c931d
    Anton Giulio Bragaglia was a pioneer in Italian Futurist photography and Futurist cinema. A versatile and intellectual artist with wide interests, he wrote about film, theatre, and dance.

Anton Giulio Bragaglia - Wikipedia

    https://en.wikipedia.org/wiki/Anton_Giulio_Bragaglia
    Anton Giulio Bragaglia (11 February 1890 – 15 July 1960) was a pioneer in Italian Futurist photography and Futurist cinema.A versatile and intellectual artist with wide interests, he wrote about film, theatre, and dance.. Early life. Bragaglia was born in Frosinone, Lazio.His brothers were actor Arturo Bragaglia and film director Carlo Ludovico Bragaglia.

Italian Futurism, 1909–1944: Reconstructing the Universe

    http://exhibitions.guggenheim.org/futurism/photography/
    The pictures on which the Bragaglia brothers collaborated plot the movement of a figure, usually from right to left, with intermediary sections of motion blurred. Despite their proclaimed interest in new technologies, the Futurists largely neglected photography after these early experiments until …

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