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Brisbane based photographer

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Cartier Bresson Photography Techniques

Interested in photography? At matthughesphoto.com you will find all the information about Cartier Bresson Photography Techniques and much more about photography.


6 Best Composition Techniques From Henri Cartier-Bresson

    https://expertphotography.com/henri-cartier-bresson-composition/
    The Composition Techniques of Henri Cartier-Bresson. Henri Cartier-Bresson was a humanist photographer. Humanist photography is like photojournalism, focused more on human elements than news. In humanist photography, more empathy is required and the ability to show situations from their subject’s perspective. Also influenced by Surrealism, these six techniques show how …

6 Photography tips you can learn from Henri Cartier …

    https://www.photographytalk.com/photography-articles/4534-6-photography-advices-you-can-learn-from-henri-cartier-bresson
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5 Henri Cartier-Bresson Photography Composition Lessons

    https://erickimphotography.com/blog/2017/12/16/5-henri-cartier-bresson-photography-composition-lessons/
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Henri Cartier-Bresson Photography, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/cartier-bresson-henri/
    To enhance his capacity to take the kind of candid shots he preferred, Cartier-Bresson often wrapped his Leica camera in black tape to make it less obtrusive. Assuming the role of the modern flâneur, his camera became an extension of his eye as he wandered, seeking visually, psychologically, and intellectually stimulating visual material.

Learn how to take photos like Henri Cartier-Bresson - DIY …

    https://www.diyphotography.net/learn-how-to-take-photos-like-henri-cartier-bresson/
    Henri Cartier-Bresson used a 35mm Leica rangefinder camera with a 50mm lens. He shot everything in black and white with Kodak Tri-X ISO 400 film . He would normally set the shutter speed to 1/125 s and adjust the aperture based on the lighting conditions.

How to Become a Photography Icon: Henri-Cartier Bresson

    https://www.photodoto.com/henri-cartier-bresson/
    8. Make Photography Your Way of Life. Let’s face it: If you want to shoot beautiful images like Henri has captured, then photography has to be your life. You need to spend your days strolling the streets, directing a studio or just clicking your shutter as often as you can. You’ll want to think deeper, too.

10 Things Henri Cartier-Bresson Can Teach You About …

    https://erickimphotography.com/blog/2011/08/22/10-things-henri-cartier-bresson-can-teach-you-about-street-photography/
    If you look at the work of Henri Cartier-Bresson, he applied geometry to his images poetically. If you look at the composition of his images he integrated vertical, horizontal, and diagonal lines, curves, shadows, triangles, circles, and squares to his advantage. He also paid particular attention to frames as well.

Henri Cartier-Bresson: The Decisive Moment - Photogpedia

    https://photogpedia.com/henri-cartier-bresson/
    Cartier-Bresson’s concept of the “decisive moment” – a fleeting meaningful instant captured by the camera – shaped modern-day street photography and inspired generations of photojournalists. When a photographer raises his camera at something that is taking place in front of him, there is one moment at which the elements in motion are in balance.

Henri Cartier-Bresson: Principles of a Practice - Magnum …

    https://www.magnumphotos.com/theory-and-practice/henri-cartier-bresson-principles-practice/
    Agnes Sire has been director of the Fondation Henri Cartier-Bresson for 15 years, having previously worked for Magnum for 20 years.Joining the Foundation in its earliest days, Sire worked on building the archive with esteemed photo editor and publisher Robert Delpire.Sire knows Henri Cartier-Bresson’s practice inside out, and here, she gives a pit-stop tour through …

Cartier-Bresson and Stieglitz – Study the Masters of …

    https://digital-photography-school.com/cartier-bresson-and-stieglitz-study-the-masters-of-photography-to-become-a-better-photographer/
    Cartier-Bresson was absolutely anti photo manipulation and believed any photograph should be cropped in the viewfinder before it was captured. Nearly all of his photographs were printed full-frame and even included about one millimeter of the unexposed negative so that his finished prints sported a thin black border to further prove the absence of cropping.

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