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Neue Sachlichkeit Photography • XIBT Contemporary Art Magazine
- https://www.xibtmagazine.com/2018/01/neue-sachlichkeit-photography/
- Neue Sachlichkeit Photography. Neue Sachlichkeit, namely the New Objectivity, was an artistic movement that arose in Germany during the Weimar Republic (1918-1934) which characterized German painting and architecture as well as producing exciting and innovative results in photography.The birth of the movement was incidental with a series of historical …
Neue Sachlichkeit and Photography | collectible DRY …
- https://collectibledry.com/fashion-and-beauty/neue-sachlichkeit-and-photography/
- NeUe SaCHLIchKEit aNd PhotOGraphy. Albert Renger-Patzsch (1897–1966), who produced a huge body of work spanning four and half decades, was one of the most influential photographers of the New Objectivity …
Neue Sachlichkeit Paintings and Photographs | TheArtStory
- https://www.theartstory.org/movement/new-objectivity/artworks/
- Self-Portrait with a Cigarette. One of some 80 portraits painted over his life, here Max Beckmann presents himself in a suit and tie, holding a cigarette, seated before an ochre-colored wall. Perhaps more than the other Neue Sachlichkeit artists, Beckmann probed himself and his inner life in numerous self-portraits.
Neue Sachlichkeit (Fotografie) – Wikipedia
- https://de.wikipedia.org/wiki/Neue_Sachlichkeit_(Fotografie)
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Neue Sachlichkeit (New Objectivity) Overview | TheArtStory
- https://www.theartstory.org/movement/new-objectivity/
- Summary of Neue Sachlichkeit (New Objectivity) Eschewing the idealism and utopianism that marked the first decade of the 20 th century and disillusioned by a World War that wreaked havoc on bodies and society, the artists associated with Neue Sachlichkeit, or New Objectivity as it is translated in English, presented an unsentimental realism to address contemporary culture.
Neue Sachlichkeit | German art movement | Britannica
- https://www.britannica.com/art/Neue-Sachlichkeit
- Neue Sachlichkeit, (German: New Objectivity), a group of German artists in the 1920s whose works were executed in a realistic style (in contrast to the prevailing styles of Expressionism and Abstraction) and who reflected what was characterized as the resignation and cynicism of the post-World War I period in Germany. The term was fashioned in 1924 by Gustav F. Hartlaub, …
Neue Sachlichkeit – Franz Roh, Exhibitions and their Artists
- https://www.artist-info.com/blog/neue-sachlichkeit-franz-roh-exhibitions-and-their-artists/
- ‘Neue Sachlichkeit’ is an important issue when you are looking at painting of the 20s and 30s. Although he was the first to use this term in 1921, Franz Roh (1890-1965), the photography artist and art critic (his influential book ‘Foto-Auge’ is part of our survey The artists of the Kurt Kirchbach Sammlung and Thomas Walther Collection ...
Neue Sachlichkeit (New Objectivity) - National Galleries of …
- https://www.nationalgalleries.org/art-and-artists/glossary-terms/neue-sachlichkeit-new-objectivity
- Neue Sachlichkeit (New Objectivity) A German art movement of the 1920s and early 1930s. It was partly a response to the experience of the First World War, with images containing elements of satire and social commentary. Stylistically it was sober and restrained, moving away from Expressionism to depictions based on close observation.
Neue Sachlichkeit (New Objectivity) – An Introduction – …
- https://smarthistory.org/neue-sachlichkeit-new-objectivity-introduction/
- A critical attitude. Dix was a leading representative of the realist tendency in post-World War I German art known as Neue Sachlichkeit, usually translated as New Objectivity. The name of the tendency originated in a 1925 exhibition of figurative painters that included Dix, George Grosz, and Max Beckmann. Some of the painters associated with ...
Photography - New Objectivity
- https://newobjectivity.weebly.com/photography.html
- The style cynically and critically portrayed many aspects of German contemporary society in a very realistic manner. “Neue Sachlichkeit” or New Objectivity was first coined in 1923 by G.F. Hartlaub who titled an exhibition of post-expressionistic paintings, so in the beginning photography wasn’t even involved.
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