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DEATH IN THE PHOTOGRAPH - The New York Times
- https://www.nytimes.com/1981/08/23/books/death-in-the-photograph.html
- It is no wonder that he sees only death in photographs. Ironically, shortly after completing ''Camera Lucida,'' he was run over and killed on a Paris …
Roland Barthes: Camera Lucida - Art History Unstuffed
- https://arthistoryunstuffed.com/roland-barthes-camera-lucida/
- Towards the end of the Camera Lucida, Barthes wrote, “Photography may correspond to the intrusion, in our modern society, of an asymbolic Death, outside of religion, outside of ritual, a kind of abrupt dive into literal Death. Life/Death: the paradigm is reduced to a simple click, the one separating the initial pose from the final print.
Roland Barthes
- http://rolandbarthes.org/
- Roland Barthes, The Death of the Author. In addition to the photographs displayed and discussed in the text, Barthes mentions many philosophers, writers, poets and films. ... It is a blend of philosophy, photography, death and mourning. The writers and artists it references are astonishing. Barthes gave me the freedom to read and explore widely ...
Roland Barthes on Photographing the Unconscious in Camera …
- https://bookoblivion.com/2018/12/08/roland-barthes-camera-lucida/
- In this striking and compelling short book that he writes shortly after the death of his mother, Roland Barthes suggests the exact opposite of these three thinkers: camera lucida serves as a better metaphor for describing the unconscious, reality, and memory. Meanwhile, he offers a new way of seeing and understanding photographs.
Roland Barthes - Wikipedia
- https://en.wikipedia.org/wiki/Roland_Barthes
- Roland Gérard Barthes (/ b ɑːr t /; French: [ʁɔlɑ̃ baʁt]; 12 November 1915 – 26 March 1980) was a French literary theorist, essayist, philosopher, critic, and semiotician.His work engaged in the analysis of a variety of sign systems, mainly derived from Western popular culture. His ideas explored a diverse range of fields and influenced the development of many schools of theory ...
Roland Barthes’ Camera Lucida: Absence as Presence
- http://grantfaulkner.com/2014/08/roland-barthes-camera-lucida-absence-as-presence/
- “The great portrait photographers are the great mythologists,” Barthes says. Written after his mother’s death, Camera Lucidais as much a reflection on death as it is on photography. Death and photography co-mingle in a way no other art does. “The Photograph does not call up the past (nothing Proustian in a photograph),” writes Barthes.
Roland Barthes: "The Photographic Paradox"
- https://artofcreativephotography.com/essay/the-photographic-paradox-roland-barthes/
- Roland Barthes and his concept of the photographic image as a message without a code French thinker Roland Barthes is a classic author of modern philosophy about the nature of photography. His books and essays are standard reading in every university teaching photography as well as for every photographer looking for theoretical reference on the ...
Camera Lucida Quotes by Roland Barthes - Goodreads
- https://www.goodreads.com/work/quotes/799260-la-chambre-claire-note-sur-la-photographie
- Camera Lucida: Reflections on Photography by Roland Barthes. 57,807 ratings, 3.99 average rating, 772 reviews. Camera Lucida Quotes Showing 1-30 of 45. “Ultimately — or at the limit — in order to see a photograph well, it is best to look away or close your eyes. 'The necessary condition for an image is sight,'Janouch told Kafka; and Kafka ...
Looking for Henriette: Roland Barthes' tantalising mystery
- https://www.theguardian.com/artanddesign/2020/apr/15/photographic-mystery-roland-barthes-mother-odette-england-keeper-of-the-hearth
- This poignant recollection occurs early in the second part of Camera Lucida by the French thinker Roland Barthes. Published in 1980, it remains, alongside Susan Sontag’s On …
The Photographic Message – Roland Barthes | Yatesweb
- https://www.yatesweb.com/the-photographic-message-roland-barthes/
- Prima facie, for Barthes a photograph is a depiction of reality, or, as he notes, a message without a code. That reality is defined by perspective, colours and so forth, with the creation of an analogue of that reality, an analogon. This reminds my of my undergraduate days. One of my final essays was the Criteria for Diagrammatic Truth.
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