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Brisbane based photographer

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Duane Michals Overpainted Photographs

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Duane Michals - 113 Artworks, Bio & Shows on Artsy

    https://www.artsy.net/artist/duane-michals
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Duane Michals: The Painted Photograph - DC Moore Gallery

    https://www.dcmooregallery.com/exhibitions/duane-michals-the-painted-photograph
    DC Moore Gallery is pleased to announce its first exhibition of the work of Duane Michals, The Painted Photograph, which focuses on his current series of hand-painted tintypes (2011 – 2013). Using 19th-century collodion prints on brown or black lacquered iron as his surface, Michals enriches the original images with oil paint, altering but not entirely obscuring the sitters’ features.

Duane Michals - Artists - DC Moore Gallery

    https://www.dcmooregallery.com/artists/duane-michals
    Duane Michals (b. 1932, McKeesport, PA) is one of the great photographic innovators of the last century, widely known for his work with series, multiple exposures, and text. Michals first made significant, creative strides in the field of photography during the 1960s. In an era heavily influenced by photojournalism, Michals manipulated the medium to communicate narratives.

Storyteller: The Photographs of Duane Michals

    https://www.lensculture.com/articles/duane-michals-storyteller-the-photographs-of-duane-michals-2
    Curated by Linda Benedict Jones. Publisher: Prestel. Hardcover: 240 pages. Editor’s Note: “ Storyteller: The Photographs of Duane Michals ,” opens Saturday at the Carnegie Museum of Art in Pittsburgh and will be on display until Feb. 16, 2015. 1 of 33.

Duane Michals - 68 Artworks for Sale on Artsy

    https://www.artsy.net/artist/duane-michals/works-for-sale
    During the 1960s and ’70s, when photojournalism ruled the photo world, Duane Michals became renowned for presenting his surreal, experimental, mostly black-and-white photographs in disjointed, frame-by-frame sequences adorned with handwritten text … Established representation Represented by industry leading galleries. Works for Sale (68)

Duane Michals | Artnet

    https://artnet.com/artists/duane-michals/
    Duane Michals is an American photographer who creates narratives within a series of images. Blending images with text in a format similar to cinematic sequences, his hallmark process is evinced in a group of 9 photographs titled Things are Queer (1972). “I use photography to help me explain my experience to myself,” he reflected.

Duane Michals - The Photographic Journal

    https://thephotographicjournal.com/interviews/duane-michals/
    Duane Michals is an American photographer, whose work makes innovative use of photo-sequences, often incorporating text to examine emotion and philosophy. Michals first made significant, creative strides in the field of photography during the 1960s. In an era heavily influenced by photojournalism, Michals manipulated the medium to communicate narratives.

On Photography: Duane Michals, 1932-present - Photofocus

    https://photofocus.com/inspiration/on-photography-duane-michals-1392-present/
    Duane Michals, magazine photographer. His commercial work took a different turn from photographers of the time. He did not have a studio, preferring to make portraits of people in their environments. His work appeared in Mademoiselle and Esquire. He shot stills of the making of “The Great Gatsby” movie for Vogue in 1974. René Magritte & Duane Michals …

Duane Michals | Artnet | Page 8

    https://www.artnet.com/artists/duane-michals/8
    Duane Michals is an American photographer who creates narratives within a series of images. Blending images with text in a format similar to cinematic sequences, his hallmark process is evinced in a group of 9 photographs titled Things are Queer (1972). “I use photography to help me explain my experience to myself,” he reflected.

Duane Michals | The Spirit Leaves the Body | The …

    https://www.metmuseum.org/art/collection/search/294772
    In the late 1960s Michals began creating narrative sequences of staged photographs that imaginatively tackle metaphysical themes such as memory, desire, and mortality. “I believe in the imagination,” he wrote in the introduction to his 1976 book, Real Dreams. “What I cannot see is infinitely more important than what I can see.”

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