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ED RUSCHA, HEIDEGGER, AND DEADPAN …
- https://onlinelibrary.wiley.com/doi/full/10.1111/j.1467-8365.2009.00708.x
- The word most often used to describe Ed Ruscha's photographic books – and a good stretch of conceptual and post‐conceptual photography in the wake of his practice – is ‘deadpan’. The ambition of this essay is to see if this term has any purchase on what makes this photographic work so compelling.
ED RUSCHA, HEIDEGGER, AND DEADPAN …
- https://onlinelibrary.wiley.com/doi/abs/10.1111/j.1467-8365.2009.00708.x
- The word most often used to describe Ed Ruscha's photographic books – and a good stretch of conceptual and post-conceptual photography in the wake of his practice – is ‘deadpan’. The ambition of this essay is to see if this term has any purchase on what makes this photographic work so compelling.
Ed Ruscha, Heidegger, and Deadpan Photography
- https://www.researchgate.net/publication/230173479_Ed_Ruscha_Heidegger_and_Deadpan_Photography
- The word most often used to describe Ed Ruscha's photographic books – and a good stretch of conceptual and post-conceptual photography in the wake …
ED RUSCHA, HEIDEGGER, AND DEADPAN PHOTOGRAPHY
- https://www.deepdyve.com/lp/wiley/ed-ruscha-heidegger-and-deadpan-photography-zJi1b0TTyV
- ED RUSCHA, HEIDEGGER, AND DEADPAN PHOTOGRAPHY VINEGAR, ARON 2009-12-01 00:00:00 The word most often used to describe Ed Ruscha's photographic books – and a good stretch of conceptual and post‐conceptual photography in the wake of his practice – is ‘deadpan’. The ambition of this essay is to see if this term has any purchase on what ...
ED RUSCHA, HEIDEGGER, AND DEADPAN …
- https://www.semanticscholar.org/paper/ED-RUSCHA%2C-HEIDEGGER%2C-AND-DEADPAN-PHOTOGRAPHY-Vinegar/2413ec454723eca1e75419706192e659d2cf2a60
- The word most often used to describe Ed Ruscha's photographic books – and a good stretch of conceptual and post-conceptual photography in the wake of his practice – is ‘deadpan’. The ambition of this essay is to see if this term has any purchase on what makes this photographic work so compelling. I pay particular attention to the vocabulary of indifference, fact, and …
Edward Ruscha’s Deadpan Artistry | Broad Street
- http://broadstreetonline.org/2015/01/edward-ruschas-deadpan-artistry/
- Ed Ruscha (American, born 1937). Standard, Figueroa Street, Los Angeles, 1962. Gelatin silver print. The J. Paul Getty Museum, Los Angeles. Among Ruscha’s other books are Various Small Fires and Milk, which presented his photos of people smoking, lighters, a trash fire, and one picture of a glass of milk; Every Building on the Sunset Strip ...
Ed Ruscha and Photography (2004) | Available for Sale
- https://www.artsy.net/artwork/ed-ruscha-ed-ruscha-and-photography
- Ed Ruscha and Photography, 2004. Super HIgh Quality book printed in Germany. 11 1/4 × 8 1/2 × 1 1/4 in. 28.6 × 21.6 × 3.2 cm. This work is from an edition of unknown size. US$180. Taxes may apply at checkout. Learn more. Shipping, tax, and additional fees quoted by seller. Make an Offer. Contact Gallery. David Lawrence Gallery
Ed Ruscha Paintings, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/ruscha-ed/
- ruscha used a yashica 1 ¼ camera to make view and developed the central image in a basement darkroom shared with his housemates; yashica cameras, requiring the photographer to look down toward a mirror rather than directly at a subject, emphasise the distance between photographer and subject, and this is echoed by ruscha's treatment of goode's …
Edward Ruscha - Wikipedia
- https://en.wikipedia.org/wiki/Edward_Ruscha
- Ruscha achieved recognition for paintings incorporating words and phrases and for his many photographic books, all influenced by the deadpan irreverence of the Pop Art movement. His textual, flat paintings have been linked with both the Pop Art movement and the beat generation. Early influences
nightworkers photographic style: Deadpan Photography - Blogger
- https://nightworkersstyle.blogspot.com/2010/04/deadpan-photography.html
- He states that Ruscha’s deadpan approach to photography is marked by an ‘aesthetic of indifference’. (Vinegar, 2009:858) ... Vinegar, Aaron (2009) Ed Ruscha, Heidegger, and Deadpan Photography, Art History Magazine, Volume 32, Issue 5, Association of Art Historians 2010. Posted by Karen Hope at 16:52. Newer Post Older Post Home.
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