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Feminist Photography Of Julie Rrap

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Explore the work of Australian artist, Julie Rrap

    https://www.vizardfoundationartcollection.com.au/the-nineties/explore/julie-rrap/
    Courtesy of the artist and Roslyn Oxley9 Gallery. Photography: Robert Colvin. Julie Rrap. Julie Rrap is one of Australia's leading feminist artists. Since her first exhibition in 1982, she has been consistently committed to the exploration of the role—or absence of roles—of women in …

Julie Rrap - Brooklyn Museum

    https://www.brooklynmuseum.org/eascfa/about/feminist_art_base/julie-rrap
    Julie Rrap has been a major figure in Australian contemporary art for more than thirty years. Since the mid-1970s, she has worked with photography, painting, sculpture, performance and video in an on-going project . concerned with representations of the body. Between 1986 and 1994 she lived in France and Belgium where she exhibited widely.

Julie Rrap | MCA Australia

    https://www.mca.com.au/artists-works/artists/julie-rrap/
    From the MCA Collection Handbook. Disclosures: A Photographic Construct by Julie Rrap, first exhibited in 1982, is one of the foundational works of contemporary Australian feminist art. Already working as a noted documentation photographer in the 1970s, Rrap astonished with Disclosures, her first substantial work as an artist, comprising 60 black-and-white and 19 …

Photography | Julie Rrap

    http://www.julierrap.com/work/photography
    Photography . Blow Back 2018. Doublespeak 2017. Remaking the World 2015. Walking on Water 2012. Loaded 2012. Outerspace 2010. Castaway 2009. Body Rub 2006. Milkdown 2005. Soft Targets 2004. Fleshstones 2003. Overstepping 2001. A-R-Mour 2000. Porous Bodies 1999. Blindspot 1996. Non-Portraits 1991. Secret Strategies/Ideal Spaces 1987.

Julie Rrap | Widewalls

    https://www.widewalls.ch/artists/julie-rrap
    Deeply rooted in feminism and often depicting bodily mutations and visual transformations, the work of Julie Rrap is direct and disturbing, addressing the impossible standards of beauty imposed specifically to the females. Here lies Rrap’s bravery – while many of her contemporaries had no problems in using self-portraiture to explore issues of identity, gender, and the (male) …

Biography | Julie Rrap

    http://www.julierrap.com/biography
    Julie Rrap’s involvement with body art and performance in the mid-70s in Australia continued to influence her practice as it expanded into photography, painting, sculpture and video in an on-going project concerned with representations of the body. Between 1986 and 1994 Rrap lived and worked in France and Belgium where she exhibited widely. This opportunity to broaden her …

Julie Rrap - Wikipedia

    https://en.wikipedia.org/wiki/Julie_Rrap
    The coloured photos all showed her full nude body. This work influenced future feminist art. Rrap has continued to use her own body in her works right up to her 2009 video work 360 Degree Self-Portrait. In her early works, Rrap superimposed photos of herself on images by Manet, Degas and Rembrandt. In this way she imposed her own image as an artist to disrupt the given models.

Julie Rrap Biography, Artworks & Exhibitions | Ocula Artist

    https://ocula.com/artists/julie-rrap/
    Julie Rrap has been a major figure in Australian contemporary art for over three decades. Since the mid-1970s, she has worked with photography, painting, sculpture, performance and video in an ongoing project concerned with representations of the body. She has responded to studies on the development of cancer cells by creating moulds of her breasts using frozen milk, and then …

The art that made me: Julie Rrap | Art Gallery of NSW

    https://www.artgallery.nsw.gov.au/artsets/rk4kml
    Photo: Jacquie Manning. In The art that made me, artists discuss works in the Art Gallery of NSW collection that either inspire, influence or simply delight them. This selection by Sydney artist Julie Rrap first appeared in Look – the Gallery’s members magazine. The body and body doubling occur throughout Julie Rrap’s work.

Julie Rrap: The Fast and The Funny - Art Collector Magazine

    https://artcollector.net.au/julie-rrap-the-fast-and-the-funny/
    Rrap’s process of starting with a visual image and ending in a political statement can be seen in her recent bronze sculpture, Speechless. This sculptural response to Max Dupain’s famous 1937 photograph, Sunbaker, was made for the 2017 group show Under the Sun. Rrap began by wondering what the prone figure would look like from underneath and ended up casting the …

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