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First Film To Use Blue Screen Photography

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How Blue Screens Work | HowStuffWorks

    https://entertainment.howstuffworks.com/blue-screen.htm#:~:text=The%20blue%20screen%20technique%20lets%20you%20combine%20two,location.%20This%20shot%20is%20called%20the%20background%20plate.
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Blue Screen Process - circa 1980 - Mark Vargo, ASC

    http://markvargo.com/Musings/Post/blue-screen-process-circa-1980
    In 1941, Larry Butler won an Oscar for his blue screen process on “The Thief of Baghdad”. Maybe a bit crude by today’s standards, but given the inaugural task of compositing in color, this film represented a huge leap forward and was …

How they did it: Blue screen special effects in the 1980s

    https://www.digitaltrends.com/movies/1980s-blue-screen-process/
    Mark Vargo was on the team at Industrial Light and Magic (ILM) that worked on Star Wars: Episode V — The Empire Strikes Back and its massive …

Movie Making History of Blue and Green Screen Effects

    https://www.videomaker.com/video/watch/tips-and-techniques/502-movie-making-history-of-blue-and-green-screen-effects
    Everything from blue screen to green screen! View the Transcript This time on tips and tricks we’re gonna take a look at the history of Chroma Key, how the process began, and how film producers used this process over the years to help them cinematically.

How Blue Screens Work | HowStuffWorks

    https://entertainment.howstuffworks.com/blue-screen.htm
    To use the blue screen technique, you first film the river gorge on location. This shot is called the background plate. You then film the actress dangling from a rope 2 feet off the ground in a studio. Behind the actress in the studio you place a bright blue background screen (hence the name "blue screen"). You end up with two pieces of film that look like this:

Watch: How to Composite with a Blue Screen Like Lucas …

    https://nofilmschool.com/2016/07/watch-how-composite-blue-screen
    Dunning (who, incidentally, was a 17- year-old high schooler when he invented the process in 1928) lit subjects with strong yellow light and photographed them against (gasp) a blue screen, with blue filters and the newly introduced pan-chromatic film stock. King Kong is also credited as being the first film to use an optical printer for compositing.

The History of Green Screen - Shoot Systems

    https://shootsystems.com/the-history-of-green-screen/
    Larry Butler, who used the “blue screen travelling matte” technique to impressive effect in 1940’s The Thief of Bagdad, realised that using a single colour as a backdrop for filming could help filmmakers isolate the actors from the background and make special effects easier to create. The colour he selected for this process was blue, because it was sufficiently different from the …

Blue Screen vs Green Screen Differences Explained

    https://www.studiobinder.com/blog/blue-screen-vs-green-screen-differences/
    This blue screen filming technique was used by Robert Rodriguez in one of the best zombie movies , Planet Terror, as a way to execute day-for-night during the film’s climax. Instead of blue screen vs green screen, Rodriguez was able to use the sky itself. Blue screen movie making in half of the Grindhouse double feature

When to use a blue screen vs. green screen | Adobe

    https://www.adobe.com/creativecloud/video/discover/blue-screen-vs-green-screen.html
    A green background has a much higher luminosity than a blue one, making a green screen a better choice for daytime scenes when you want your shots to look bright and well lit. But a blue screen can be handy in scenes where you don’t need so much light. “If you’re trying to composite around an actor in a night scene, you want to go with a ...

blue screen photography - The Virtual Production Glossary

    https://www.vpglossary.com/vesglossary/blue-screen-photography/
    blue screen photography. The process of photographing an object in front of a blue screen with the intention of extracting a matte for that object using various keying and/or color-difference techniques. ... British Academy of Film and Television Arts (BAFTA) British Society of Cinematographers (BSC) burn-in; C-scope;

Materials for blue screen masking. - Digital photography

    https://digital-photography.org/backdrop_background_material/bluescreening_masking.html
    This is especially true with Maya vases, since the slip on the ceramics is often reflective. Here is where the article by Heid helps, as he suggests using straw- or yellow-colored light on the object, to minimize the blue reflection. The best known software for dropping out the background is from Ultimatte. Design updated April 9, 2001.

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