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Brisbane based photographer

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Gyula Halasz Photography

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Brassaï (Gyula Halasz) Photography - Holden Luntz Gallery

    https://www.holdenluntz.com/artists/brassai-gyula-halasz
    Brassaï (Gyula Halasz) Known since 1932 by his pseudonym Brassai (derived from Brasso, his place of birth), Gyula Halász came to photography through self-education. He first studied art in Budapest and Berlin …

Brassaï (Gyula Halasz) Photographer's - Huxley-Parlour …

    https://huxleyparlour.com/artists/brassai-gyula-halasz/
    B. Romania 1899-1984. Biography. One of the most renowned photographers of the interwar period, Brassaï, born Gyula Halász (1899-1984), enjoyed a natural affinity with Paris, revelling in the city’s rich atmosphere and photographic potential. The artist’s photographs of Parisian street scenes would later come to epitomise the Surrealist ...

Brassaï (Gyula Halász) | MoMA

    https://www.moma.org/artists/745
    Brassaï (French: [bʁa'saj]; pseudonym of Gyula Halász; 9 September 1899 – 8 July 1984) was a Hungarian–French photographer, sculptor, medalist, writer, and filmmaker who rose to international fame in France in the 20th century. He was one of the numerous Hungarian artists who flourished in Paris beginning between the world wars.

Brassaï (Gyula Halász) | International Photography Hall of …

    https://iphf.org/inductees/brassai/
    Brassaï (Gyula Halász) 1899-1984 ... Photography came into Brassai’s life when the Minotaure, an art review, was founded in the 1930s. He was asked to photograph the studios of certain artists. During his work with the Minotaure, …

Brassaï (Gyula Halász) | International Center of …

    https://www.icp.org/browse/archive/constituents/brassa%c3%af-gyula-hal%c3%a1sz
    Brassaï, born Gyula Halász in the town of Brasov, Transylvania, was known for depicting the eclectic nightlife of Paris in the 1930s. Originally intent on becoming painter, he studied at the Academy of Fine Arts in Budapest in 1918 and the Akademische Hochschule in Berlin in 1921 before moving to Paris in 1924. While working as a journalist ...

Buy Brassai (Gyula Halasz) Photography for sale and at …

    https://www.bidsquare.com/collection/artist/brassai-gyula-halasz-658
    French, 1899-1984. Photography Gyula Halasz garnered the nickname of Brassai after his hometown in Hungary. He was also known as the "eye of Paris" for showing the gritty side of the city with candid shots of streets and bars at night. These images were sometimes considered scandalous as he captured prostitutes, amorous couples, and hoodlums.

Brassaï, (Gyula Halász) | The Art Institute of Chicago

    https://www.artic.edu/artists/33741/brassai-gyula-halasz
    Brassaï, (Gyula Halász) Crosswalk on the Rue de Rivoli (also called Le Passage clouté), 1937. Brassaï, (Gyula Halász) Backstage at the Folies Bergère, 1932. Brassaï, (Gyula Halász) Pont des Arts in Fog and Mist, 1934. Brassaï, (Gyula Halász) …

Brassaï - Wikipedia

    https://en.wikipedia.org/wiki/Brassa%C3%AF
    Brassaï (French: ; pseudonym of Gyula Halász; 9 September 1899 – 8 July 1984) was a Hungarian–French photographer, sculptor, medalist, writer, and filmmaker who rose to international fame in France in the 20th century. He was one of the numerous Hungarian artists who flourished in Paris beginning between the world wars.. In the early 21st century, the …

Brassaï (Gyula Halász) – anødine

    https://www.anodine.org/en/notes/arts/visual-arts/photography/brassai-gyula-halasz-2/
    He later wrote that he used photography “in order to capture the beauty of streets and gardens in the rain and fog, and to capture Paris by night.” [6] Using the name of his birthplace, Halász went by the pseudonym “Brassaï,” which means “from Brasso”.

Brassaï Photography, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/brassai/
    Gyula Halász, or Brassaï - the pseudonym by which he has become much better known - is widely celebrated for his signature photographs of Parisian night life, and especially his book of collected photographs, Paris by Night. His breadth of range is however more expansive than that seminal collection might suggest.

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