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Digressions on the Photographic Agony | On the Camera …
- https://direct.mit.edu/books/book/3848/chapter/126005/Digressions-on-the-Photographic-Agony
- Hollis Frampton (1936–1984) was a filmmaker, artist, and writer. Among his best-known works are (nostalgia), Zorns Lemma, and the unfinished epic film cycle Magellan . He was one of the founders of the Digital Arts Laboratory in the Center for Media Study at SUNY Buffalo.
Frampton. Digressions on the Photographic Agony
- https://www.scribd.com/document/386172878/Frampton-Digressions-on-the-Photographic-Agony
- Frampton. Digressions on the Photographic Agony - Free download as PDF File (.pdf) or read online for free. texto de hollis frampton
Digressions on the Photographic Agony - Artforum …
- https://www.artforum.com/print/197209/digressions-on-the-photographic-agony-36176
- “This is the end of art. I am glad I have had my day.” —J.M.W. Turner, 1839/40I BEGAN WITH A FANTASTIC case: the recent discovery of an imaginary relic.A tanker returning to Arabia, running blind in a fog at night, collides with an uncharted object. The morning light reveals, instead of the expected crag, an enormous sphere floating in the sea, covered in barnacles and corrosion: it is ...
Digressions on the Photographic Agony | On the Camera Arts and ...
- https://direct-mit-edu.proxy.lib.siu.edu/books/book/3848/chapter/126005/Digressions-on-the-Photographic-Agony
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Digressions on the NFT Agony - by Jonathan T. D. Neil
- https://jonathantdneil.substack.com/p/digressions-on-the-nft-agony
- In “Digressions on the Photographic Agony,” Frampton offers a parable of photography, unrelated to its status as art (well, perhaps a little), but very much related to its status as archive. He tells the story of a mysterious sphere, an “artifact,” “1000 feet in diameter,” that is discovered when a tanker hits it “in a fog at night.”
Hollis Frampton: Photographs – Thoughts on Art
- https://thoughtsonart.blog/2020/12/23/hollis-frampton-photographs/
- 18 September – 13 December 2020 Goldsmiths Centre for Contemporary Art By Christian Kile Wherever there are saints, there must also be heresiarchs like Marcel Duchamp and John Cage, and heretics.[1] It was in 1958 that Hollis Frampton moved to New York and began to take photography seriously as a discipline. Previously Frampton had harboured…
The photographs of Hollis Frampton | Apollo Magazine
- https://www.apollo-magazine.com/photographs-hollis-frampton-goldsmiths/
- But perhaps the most intriguing part of the show is another containing Frampton’s notes towards his essay ‘Digressions on the Photographic Agony’ (1972). In what could be the handwriting of five different people, the author cites André Bazin, Werner Heisenberg, Niels Bohr and Euclid, but it is a passage by Borges that seems to sum up the fundamental appeal of …
Artforum International
- https://www.artforum.com/contributor/hollis-frampton
- Digressions on the Photographic Agony “This is the end of art. I am glad I have had my day.” —J.M.W. Turner, 1839/40 I BEGAN WITH A FANTASTIC case: the recent discovery of an imaginary relic. A tanker returning to Arabia, running blind in a fog at night, collides with an uncharted object.
Fiction - Everyday Life - Tanguay Photo Mag
- https://www.tanguayphotomag.biz/everyday-life/fiction.html
- In his text 'Digressions on the Photographic Agony', written in 1972, the artist Hollis Frampton posited the paradox of an imaginary world recorded in photographs. Frampton narrates the discovery of a huge floating sphere, which turns out to be the long-submerged Atlantis.
Rational fictions: Hollis Frampton's Magellan and the …
- https://findanexpert.unimelb.edu.au/scholarlywork/1476776-rational-fictions--hollis-frampton%27s-magellan-and-the-atlas-of-film
- It begins with an examination of these themes in Frampton’s writing, following his conceptualisation of what he called ‘the infinite film’ and ‘the infinite cinema’ in his 1971 essay “For a Metahistory of Film: Commonplace Notes and Hypotheses” and the subsequent essay “Digressions on the Photographic Agony,” from 1972.
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