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Max Dupain - Wikipedia
- https://en.wikipedia.org/wiki/Max_Dupain#:~:text=Early%20life%20Dupain%20received%20his%20first%20camera%20as,studies%2C%20he%20worked%20for%20Cecil%20Bostock%20in%20Sydney.
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Max Dupain | Australian photographer | Britannica
- https://www.britannica.com/biography/Max-Dupain
- Dupain, who exhibited his first landscape photographs while attending grammar school, studied at the East Sydney Technical College and the Julian Ashton Art School (both 1933–35), while he apprenticed from 1930 to 1934 with commercial photographer Cecil Bostock.
How did Max dupain become interested in photography?
- https://askinglot.com/how-did-max-dupain-become-interested-in-photography
- Max Dupain (1911 – 1992) was an Australian modernist photographer. Dupain received his first camera as a gift in 1924, spurring his interest in photography. The war affected Dupain and his photography, by creating in him a greater awareness of truth in documentary. Click to see full answer. People also ask, when did Max dupain take most of his photos?
Biography: photographer Max Dupain - MONOVISIONS
- https://monovisions.com/max-dupain-biography-australian-photographer/
- Max Dupain (1911 - 1992) was an Australian modernist photographer. Dupain received his first camera as a gift in 1924, spurring his interest in photography. He later joined the Photographic Society of NSW, where he was taught by Justin Newlan; after completing his tertiary studies, he worked for Cecil Bostock in Sydney. By 1934 Max
Max Dupain OBE, National Portrait Gallery
- https://www.portrait.gov.au/people/max-dupain-1911
- His then-wife Olive Cotton, one of very few professional women photographers in Australia, ran his studio. In the 1950s Dupain turned increasingly to architectural photography, collaborating in particular with architects Samuel Lipson, Sydney Ancher and Harry Seidler. From 1958 to 1973 he documented the construction of the Sydney Opera House.
Maxwell Spencer (Max) Dupain - Australian Dictionary of …
- https://adb.anu.edu.au/biography/dupain-maxwell-spencer-max-27243
- During the 1970s Dupain emerged as a key figure in the Australian art photography movement following his retrospective exhibition at the Australian Centre for Photography, Sydney, which introduced his now best-known photograph, Sunbaker, to the public. This image encapsulated his interest in body culture and embrace of the outdoors: it came to be identified with a …
Max Dupain Exhibition Photography
- https://www.maxdupain.com.au/
- THE ICONIC WORKS OF MAX DUPAIN. Max Dupain was Australia's most respected and influential black & white photographer of the 20th century. His images capture a long gone era in which Australian society was vastly different from what it is now. With his documentary eye his images exude quality and demonstrate Dupain's mastership of light and form.
Max Dupain: The Vintage Years, National Portrait Gallery
- https://www.portrait.gov.au/exhibitions/max-dupain-2003
- After failing the Leaving Certificate twice, Dupain spent three years from 1930-34 apprenticed to Cecil Bostock, a commercial artist turned photographer in Castlereagh Street, Sydney. When Dupain left to start his own studio in 1934 in a room at 24 Bond Street, he had little experience with commissioned portraiture.
photo-web: Max Dupain - photo-web: photography
- https://www.photo-web.com.au/dupain/bio.html
- He became interested in photography around the age of fourteen. On leaving Sydney Grammar School in 1930 he began a three-year apprenticeship in Cecil Bostock’s studio. In 1934 Dupain established his own studio in Bond Street.
Max Dupain - Twentieth Century Heritage Society of NSW & ACT
- https://www.twentieth.org.au/max-dupain/
- GALLERY Max Dupain Max Dupain (b.1911 – d.1992) was a pioneering modernist photographer who set up his first studio in 1934. He departed from traditional approaches toward a world of contrast and varying angles. maxdupain.com.au 17 Wylde Street, Pott’s Point. Photo courtesy of the Australian Institute of Architects.
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