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Brisbane based photographer

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Jacob Riis Posed Photographs

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33 Jacob Riis Photographs From How The Other Half Lives And …

    https://allthatsinteresting.com/jacob-riis-photographs-how-the-other-half-lives
    The New York City to which the poor young Jacob Riis immigrated from Denmark in 1870 was a city booming beyond belief. In the three decades leading up to his arrival, the city's population, driven relentlessly upward by intense immigration, had more than tripled. Over the next three decades, it would nearly quadruple.

Photographer - Jacob Riis: Revealing “How the Other Half Lives ...

    https://www.loc.gov/exhibits/jacob-riis/photographer.html
    Riis’s earliest photographs were taken in association with amateurs Richard Hoe Lawrence and Dr. Henry G. Piffard. Riis’s lecture notes describe the first flashlight photographs taken by the trio, who also posed this “tramp” in a “yard” only a block from Riis’s Mulberry Street newspaper office.

Jacob Riis Photographs Still Revealing New York’s Other Half

    https://www.nytimes.com/2015/10/23/arts/design/jacob-riis-photographs-still-revealing-new-yorks-other-half.html
    Oct. 22, 2015 By the city government’s own broader definition of poverty, nearly one of every two New Yorkers is still struggling to get by today, fully 125 years after Jacob Riis seared the Gilded...

Jacob Riis | International Center of Photography

    https://www.icp.org/browse/archive/constituents/jacob-riis
    Riis was among the first in the United States to conceive of photographic images as instruments for social change; he was also among the first to use flash powder to photograph interior views, and his book How the Other Half Lives was one of the …

Jacob Riis Photos and Premium High Res Pictures - Getty Images

    https://www.gettyimages.com/photos/jacob_riis
    Browse 50 jacob_riis stock photos and images available, or start a new search to explore more stock photos and images. Aerial view of Jacob Riis Park in Rockaways, Queens. Portrait of Jacob Riis, circa 1890s. . Photograph of Young Boy and Several Male Workers in a Sweatshop by Jacob Riis, circa 1902.

Jacob Riis - Wikipedia

    https://en.wikipedia.org/wiki/Jacob_Riis
    Riis had for some time been wondering how to show the squalor of which he wrote more vividly than his words could express. He tried sketching, but was incompetent at this. Camera lenses of the 1880s were slow as was the emulsion of photographic plates; photography thus did not seem to be of any use for reporting about conditions of life in dark interiors.

GALLERY – Jacob A. Riis Museum

    https://jacobariismuseum.dk/gallery/
    Jacob A. Riis ‘We photographed it by flashlight on just such a visit. In a room not thirteen feet either way slept twelve men and women, two or three in bunks set in a sort of alcove, the rest on the floor.’ Jacob A. Riis ‘Not a single vacant room was found there. The problem of the children becomes, in these swarms, to the last degree perplexing.

Jacob Riis Paintings, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/riis-jacob/
    For this photograph, Riis entered a Chinatown opium den and captured two Asian individuals, one standing, only half visible, looking at the camera on the right-hand side, and the other laying down on a bed, looking off to the right, presumably in an opium-induced stupor.

Jacob Riis | Biography, How the Other Half Lives, Books, …

    https://www.britannica.com/biography/Jacob-Riis
    By the late 1880s Riis had begun photographing the interiors and exteriors of New York slums with a flash lamp. Those photos are early examples of flashbulb photography. Riis used the images to dramatize his lectures and books, and the engravings of those photographs that were used in How the Other Half Lives helped to make the book popular.

Jacob A. Riis: Revealing New York’s Other are supported by

    https://www.mcny.org/sites/default/files/2016-11/Jacob%20Riis%20Lesson%20Plan%202_Candids%20to%20Portraits_0.pdf
    Jacob Riis began using photography as a tool to document conditions he hoped to expose on New York’s Lower East Side. However, he considered himself a writer and not a photographer. A recurrent subject in his work was the overcrowded and poor housing conditions in …

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