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Kracauer And Photography

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Visual Rhetoric: Kracauer on Photography - Blogger

    https://visualsemiotics.blogspot.com/2009/11/kracauer-on-photography.html
    Siegfried Kracauer was a cultural analyst and member of the applied social sciences group at Columbia University. His work laid the foundation for modern film criticism and he is the author of several works …

Siegfried Kracauer on photography – Thought Factory

    https://thoughtfactory.com.au/2872-2/
    The photograph for Kracauer, as for Georg Simmel, captures a true likeness, a faithful representation, a simple copy of figures, objects and scenes. Photography’s strength is that it captures the actual appearances of people and the surfaces of things but its weakness is its failure to penetrate beneath these exterior manifestations.

‘Photography’ (Kracauer 1927)

    https://www.researchgate.net/publication/354797651_'Photography'_Kracauer_1927
    Download Citation | ‘Photography’ (Kracauer 1927) | This chapter is a close analysis of Kracauer’s 1927 essay ‘Photography’. In this essay, Kracauer regards photography as contributing ...

Siegfried Kracauer: Photography (1927). Aus: The …

    https://www.diaphanes.net/titel/photography-1927-3815
    Siegfried Kracauer was a leading intellectual figure of the Weimar Republic and one of the foremost representatives of critical theory. Best known for a wealth of writings on sociology and film theory, his influence is felt in the work of many …

What, in truth, is Photography? Notes after Kracauer

    https://www.jstor.org/stable/44030778
    Keywords: Siegfried Kracauer, photography, truth, time, history. 1. With photography there always seems to be a problem.2 It is as though photography is condemned to efface the truth.3 Be it the truth of time or the truth of memory - in the beginning of course it was the reality of things - photography is deemed to stand in stark opposition to

Author(s): Siegfried Kracauer and Thomas Y. Levin Source: …

    https://platypus1917.org/wp-content/uploads/2011/09/kracauer_photography1927.pdf
    Photography Siegfried Kracauer Translated by Thomas Y. Levin Forced to leave fascist Germany in 1933, Siegfried Kracauer (1889-1966) began a period of exile that would last the rest of his life. It was thus in Paris and then, after 1941, in New York that he would write the works for which he is known in the Anglo-American realm: a "social ...

“Making Visible, Making Strange: Photography and ... - AMERICAN …

    https://americansuburbx.com/2009/10/making-visible-making-strange-2.html
    By Steve Giles, New Formations, June 22, 2007 KRACAUER ON PHOTOGRAPHY. One of the most striking aspects of Thomas Levin’s recent translation of Kracauer’s Weimar essays is its inclusion of photographic material from the 1920s and early 1930s which typifies the ‘new photography’ associated with the Neue Sachlichkeit movement. (1) Kracauer’s 1927 …

Siegfried Kracauer - Wikipedia

    https://en.wikipedia.org/wiki/Siegfried_Kracauer
    Siegfried Kracauer (/ ˈ k r æ k aʊ. ər /; German: [ˈkʁakaʊ̯ɐ]; February 8, 1889 – November 26, 1966) was a German writer, journalist, sociologist, cultural critic, and film theorist.He has sometimes been associated with the Frankfurt School of critical theory.He is notable for arguing that realism is the most important function of cinema.

Kracauer's Theory of History and Film

    https://film-history.org/issues/text/kracauers-theory-history-and-film
    1 Siegfried Kracauer, Theory of Film: The Redemption of Physical Reality [1960] (Princeton 1997). 2 Kracauer refers to Alfred Whitehead’s Science and the Modern World [1925] (New York 1948), and Adventures of Ideas [1933] (New …

Siegfried Kracauer, Realist Film Theorist – Joni Gutierrez

    https://www.jonigutierrez.com/blog/siegfried-kracauer-realist-film-theorist/
    Kracauer asserted that film is important as a means to observe the disintegrative tendencies of the modern condition (Eksteins, 1997, p. 611) while other elements of popular culture, like ‘theatrical revues, travel, dance, photography, best-selling literature, and even urban arcades and hotel lobbies’ (p. 611) were also of interest to him ...

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