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Visual Rhetoric: Kracauer on Photography - Blogger
- https://visualsemiotics.blogspot.com/2009/11/kracauer-on-photography.html
- Siegfried Kracauer was a cultural analyst and member of the applied social sciences group at Columbia University. His work laid the foundation for modern film criticism and he is the author of several works …
The Kid Doesn't Stay in the Picture: Siegfried Kracauer on …
- https://www.academia.edu/9260543/The_Kid_Doesnt_Stay_in_the_Picture_Siegfried_Kracauer_on_Photography_Memory_and_History
- The difference between the two is absolutely critical to Kracauer’s thoughts on photography. For centuries, telling history as memory was a perfectly sufficient technique for constructing reality. The unfolding of events could be understood in terms of personal significance in that the physical details were subordinate to the overall message ...
Siegfried Kracauer: Photography (1927). Aus: The …
- https://www.diaphanes.net/titel/photography-1927-3815
- Siegfried Kracauer was a leading intellectual figure of the Weimar Republic and one of the foremost representatives of critical theory. Best known for a wealth of writings on sociology and film theory, his influence is felt in the work of many …
What in truth is Photography Notes after Kracauer
- https://www.academia.edu/32017756/What_in_truth_is_Photography_Notes_after_Kracauer
- Photography takes on the structure of historicism when what it presents is taken as axiomatically coherent. It would be as though there was a coincidence between the constructions of 'nature' and 'history' in which both are understood as forms of completion and totality. The destruction of 'coherence' is, for Kracauer, the creation of meaning.
What, in truth, is Photography? Notes after Kracauer
- https://www.jstor.org/stable/44030778
- Keywords: Siegfried Kracauer, photography, truth, time, history. 1. With photography there always seems to be a problem.2 It is as though photography is condemned to efface the truth.3 Be it the truth of time or the truth of memory - in the beginning of course it was the reality of things - photography is deemed to stand in stark opposition to
‘Photography’ (Kracauer 1927)
- https://www.researchgate.net/publication/354797651_'Photography'_Kracauer_1927
- Download Citation | ‘Photography’ (Kracauer 1927) | This chapter is a close analysis of Kracauer’s 1927 essay ‘Photography’. In this essay, Kracauer regards photography as contributing ...
Author(s): Siegfried Kracauer and Thomas Y. Levin Source: …
- https://platypus1917.org/wp-content/uploads/2011/09/kracauer_photography1927.pdf
- Photography Siegfried Kracauer Translated by Thomas Y. Levin Forced to leave fascist Germany in 1933, Siegfried Kracauer (1889-1966) began a period of exile that would last the rest of his life. It was thus in Paris and then, after 1941, in New York that he would write the works for which he is known in the Anglo-American realm: a "social ...
“Making Visible, Making Strange: Photography and ... - AMERICAN …
- https://americansuburbx.com/2009/10/making-visible-making-strange-2.html
- By Steve Giles, New Formations, June 22, 2007 KRACAUER ON PHOTOGRAPHY. One of the most striking aspects of Thomas Levin’s recent translation of Kracauer’s Weimar essays is its inclusion of photographic material from the 1920s and early 1930s which typifies the ‘new photography’ associated with the Neue Sachlichkeit movement. (1) Kracauer’s 1927 …
Kracauer's Theory of History and Film
- https://film-history.org/issues/text/kracauers-theory-history-and-film
- 1 Siegfried Kracauer, Theory of Film: The Redemption of Physical Reality [1960] (Princeton 1997). 2 Kracauer refers to Alfred Whitehead’s Science and the Modern World [1925] (New York 1948), and Adventures of Ideas [1933] (New …
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