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Siegfried Kracauer on photography – Thought Factory
- https://thoughtfactory.com.au/2872-2/#:~:text=The%20photograph%20for%20Kracauer%2C%20as%20for%20Georg%20Simmel%2C,its%20failure%20to%20penetrate%20beneath%20these%20exterior%20manifestations.
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gray_Kracauer(1) (1).docx - Photography 1 Summary and...
- https://www.coursehero.com/file/147146682/gray-Kracauer1-1docx/
- First published in October 1927 in the Frankfurter Zeitung, Kracauer considered Photography to be one of his more important works. As editor, he also published the works of Adorno, Horkheimer, Bloch and Benjamin, the architects of what became known as the Frankfurter School. They were forced to leave Germany with the rise of fascism.
Siegfried Kracauer on photography – Thought Factory
- https://thoughtfactory.com.au/2872-2/
- Kracauer regards photographs as a heap of garbage, as merely able to stockpile the elements of nature without a selective process.
Visual Rhetoric: Kracauer on Photography - Blogger
- https://visualsemiotics.blogspot.com/2009/11/kracauer-on-photography.html
- Kracauer extended his analysis beyond film into advertising, tourism, city layout, and dance. Regarding the photograph, he observes that if we enlarge its resolution, we can make out the dots in it, which are matrixed …
Kracauer's Theory of History and Film
- https://film-history.org/issues/text/kracauers-theory-history-and-film
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‘Photography’ (Kracauer 1927)
- https://www.researchgate.net/publication/354797651_'Photography'_Kracauer_1927
- Download Citation | ‘Photography’ (Kracauer 1927) | This chapter is a close analysis of Kracauer’s 1927 essay ‘Photography’. In this essay, Kracauer regards photography as contributing ...
Author(s): Siegfried Kracauer and Thomas Y. Levin Source: …
- https://platypus1917.org/wp-content/uploads/2011/09/kracauer_photography1927.pdf
- Photography Siegfried Kracauer Translated by Thomas Y. Levin Forced to leave fascist Germany in 1933, Siegfried Kracauer (1889-1966) began a period of exile that would last the rest of his life. It was thus in Paris and then, after 1941, in New York that he would write the works for which he is
Film Theory: Kracauer (German Cinema) | Emanuel Levy
- https://emanuellevy.com/review/film-theory-kracauer/
- The differences in the functions of memory and of photography, according to Kracauer, is that photography creates one fixed moment in time whereas memory itself is not beholden to a singular instance.
What, in truth, is Photography? Notes after Kracauer
- https://www.jstor.org/stable/44030778
- sense of beauty interpenetrate one another. Often photographs radiate beauty because they satisfy that desire. Moreover, in satisfying it by penetrating unknown celestial spaces and the recesses of matter, they afford glimpses of designs beautiful in their own right.1 - …
Siegfried Kracauer - Wikipedia
- https://en.wikipedia.org/wiki/Siegfried_Kracauer
- The differences in the functions of memory and the functions of photography, according to Kracauer, is that photography creates one fixed moment in time whereas memory itself is not beholden to a singular instance.
Siegfried Kracauer, Realist Film Theorist – Joni Gutierrez
- https://www.jonigutierrez.com/blog/siegfried-kracauer-realist-film-theorist/
- Kracauer’s ‘emphasis on the flow of life and the contingent detail suggests that sense in which we enjoy motion pictures because of the way they heighten our consciousness of the everyday, making it seem unfamiliar and interesting’ (Armstrong, 2007, p. 65) as ‘the cinema’s photographic capacity reintroduces us to things in themselves’ (p. 65).
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