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Brisbane based photographer

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Laszlo Moholy Nagy Photographs

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László Moholy-Nagy Art, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/moholy-nagy-laszlo/
    moholy-nagy took a series of photographs of the berlin radio tower, a 450-foot-tall structure completed in 1926; employing aerial perspective, the series exemplifies the artist's belief that photography's primary function was to allow the viewer to engage with reality in previously impossible ways: allowing new levels of detail, new kinds of …

László Moholy-Nagy - Discover His Paintings & Photography

    https://magazine.artland.com/laszlo-moholy-nagy-paintings-photography/
    László Moholy-Nagy - Discover His Paintings & Photography Articles and Features László Moholy-Nagy: The Light Of Modernity László Moholy-Nagy, Selbstportrait mit Hand (Self-Portrait with Hand), 1925-1929. Gelatin silver print. By Adam Hencz “The organisation of light and shadow effects produce a new enrichment of vision.” László Moholy-Nagy

László Moholy-Nagy Photographer | All About Photo

    https://www.all-about-photo.com/photographers/photographer/481/laszlo-moholy-nagy
    László Moholy-Nagy (July 20, 1895 - November 24, 1946) was a Hungarian painter and photographer as well as professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into the arts. Moholy-Nagy was born László Weisz in Bácsborsód to a Jewish-Hungarian family.

Laszlo Moholy-Nagy - 70 artworks - painting - WikiArt

    https://www.wikiart.org/en/laszlo-moholy-nagy
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László Moholy-Nagy | MoMA

    https://www.moma.org/artists/4048
    American, bornHungary. 1895–1946. László Moholy-Nagy (; Hungarian: [ˈlaːsloː ˈmoholiˌnɒɟ.]; born László Weisz; July 20, 1895 – November 24, 1946) was a Hungarian painter and photographer as well as a professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology ...

MOHOLY-NAGY FOUNDATION | THE PHOTOGRAMS

    https://www.moholy-nagy.org/photograms/
    One of Moholy-Nagy’s most notable contributions was his extensive exploration–from 1922 through 1943–of the aesthetic possibilities of the photogram (he coined the term). These ghostly traces of objects placed on photographic paper during exposure are part of a prolific legacy that included painting, sculpture and stage design.

László Moholy-Nagy - The Metropolitan Museum of Art

    https://www.metmuseum.org/art/collection/search/265596
    Lucia Moholy was one of the most prolific photographers at the Bauhaus between 1923 and 1928, while her husband, László Moholy-Nagy, was an instructor there. For both, photography was not simply a transparent window onto objective reality but a specific technology to be systematically explored in the modern spirit of exuberant experimentation.

László Moholy-Nagy Photography For Sale at 1stDibs

    https://www.1stdibs.com/furniture/wall-decorations/photography/laszlo-moholy-nagy-photography/id-f_28675162/
    Laszlo Moholy-Nagy photography. Stamp: "Nachlass La´zlo´ Moholy-Nagy (1895-1946) (= Estate of La´zlo´ Moholy-Nagy" and "einmalige Auflage fu¨r die Griffelkunst 1994") (= single ed... Category Vintage 1920s German Bauhaus Photography. Materials. Paper. View Full Details.

László Moholy-Nagy’s Exceptionally Innovative …

    https://www.sothebys.com/en/articles/laszlo-moholy-nagys-exceptionally-innovative-photogram-for-broom-magazine
    L ászló Moholy-Nagy – Hungarian-born painter, photographer, writer and instructor at the Bauhaus school – was a master of the photogram, the cameraless process by which an object is positioned directly on photographic paper and then exposed to light. By virtue of how a photogram is created, each one is a unique object.

László Moholy-Nagy: Adventures in Photograms - Glam

    https://www.glamatsydney.org/post/laszlo-moholy-nagy
    Donna West Brett November 2021 This century belongs to light. Photography is the first means of giving tangible shape to light, though in a transposed and—perhaps just for that reason—almost abstract form. László Moholy-Nagy, 1927. In the introduction to Painting, Photography, Film (Malerie, Fotografie, Film) of 1925, Moholy set out his treatise for the optical …

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