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Martha Rosler | Artnet
- https://artnet.com/artists/martha-rosler/
- Martha Rosler is an American artist best known for her documentary photography and multimedia works. Difficult to pin down, the artist’s work addresses a wide array of social and political issues, including gender politics, racism, and social inequality. In Semiotics of the Kitchen, a video piece which runs for six minutes, the artist attacks ...
Martha Rosler | The Bowery in two inadequate descriptive …
- https://whitney.org/collection/works/8304
- In her work, Martha Rosler has often employed—and deconstructed—photographic conventions in ways that examine the authenticity associated with documentary photography and the unbalanced relationship between disenfranchised communities and their visual representations. Here, Rosler uses a combination of images and texts to respond to earlier documentary …
Martha Rosler, In, Around and Afterthoughts (On Documentary …
- https://www.taylorfrancis.com/chapters/mono/10.4324/9780080468389-12/martha-rosler-around-afterthoughts-documentary-photography-ashley-la-grange
- Rosler asks why documentary photographers still want to photograph the Bowery. (a skid row in New York), when it is no longer possible to justify photographing it. either in terms of helping or exposing the occupants. ABSTRACT. This is a summary of the first part of Rosler’s essay as it appears in The Contest of. Meaning, edited by Richard ...
photography — martha rosler
- https://www.martharosler.net/photography
- In the Place of the Public: Airport Series (1983 - present) Transitions & Digressions (1981 - present) Cuba, January 1981 (1981, 2012)
Martha Rosler Paintings, Bio, Ideas | TheArtStory
- https://www.theartstory.org/artist/rosler-martha/
- Summary of Martha Rosler. ... Rosler is also known for her prolific writing and theory on the role of photography in art, as well as her interest in public spaces. Her 1981 essay on documentary photography discusses how people derive meaning from photographs and has been republished in multitude and widely translated.
Documentary Photography and the Representation of Life …
- https://journals.openedition.org/ideas/5233
- Four decades separate Martha Rosler’s The Bowery in two inadequate descriptive systems (1974-1975) from Jeff Wall’s Approach (2014), two representations of life on the streets. In the 1970s, Martha Rosler, among others, sought to define and practice documentary photography in ways that would invite the viewer to reflect on the politics of representation at work in documentary art.
In, around, and afterthoughts (on documentary photography) …
- https://miltblog.myblog.arts.ac.uk/2020/07/14/in-around-and-afterthoughts-on-documentary-photography-1981-martha-rosler/
- In, around, and afterthoughts (on documentary photography) (1981) Martha Rosler Documentary photography has been much more comfortable in the company of moralism than wedded to a rhetoric or program of revolutionary politics.
Rosler photo - Portland State University
- http://web.pdx.edu/~vcc/Seminar/Rosler_photo.pdf
- In, around, and afterthoughts (on documentary photography) (1981) Martha Rosler 1. The Bowery, in New York, is an archetypal skid row. It has been much photographed, in works veering between outraged moral sensitivity and sheer slumming spectacle. Why is the Bowery so magnetic to documentarians? It is no longer possible to
IN AROUND AND AFTERTHOUGHTS ON …
- http://theslideprojector.com/pdffiles/ah331/inaroundafterthoughts.pdf
- This essay was originally published in Martha Rosler:3 Works(Halifax:Press of the Nova Scotia College of Art and Design, 1981). It was republished in Richard Bolton, ed., The Contest of Meaning: Critical Histories of Photography (Cambridge, Mass.:MIT Press, 1990), and in Liz Wells, ed., Photography: A Critical Reader (London:Routledge, 2000 ...
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