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Martha Rosler on documentary photography - Context …
- https://alancandn.home.blog/2019/06/05/martha-rosler-on-documentary-photography/
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Martha Rosler | Artnet
- https://artnet.com/artists/martha-rosler/
- Martha Rosler is an American artist best known for her documentary photography and multimedia works. Difficult to pin down, the artist’s work addresses a wide array of social and political issues, including gender politics, racism, and social inequality. In Semiotics of the Kitchen, a video piece which runs for six minutes, the artist attacks ...
Martha Rosler | The Bowery in two inadequate descriptive …
- https://whitney.org/collection/works/8304
- In her work, Martha Rosler has often employed—and deconstructed—photographic conventions in ways that examine the authenticity associated with documentary photography and the unbalanced relationship between disenfranchised communities and their visual representations. Here, Rosler uses a combination of images and texts to respond to earlier documentary …
Notes on Martha Rosler – In, Around and Afterthoughts (On …
- https://simon513313documentary.net/2020/03/02/notes-on-martha-rosler-in-around-and-afterthoughts-on-documentary-photography/
- Rosler describes how presentation of documentary photography affects how it is received. In many cases the photographer becomes an innocent intermediary, and that the any intentions of truth on the part of the photographers can be …
Martha Rosler 1981 In, Around and Afterthoughts (on …
- https://christopherwlog.wordpress.com/2016/08/02/martha-rosler-1981-in-around-and-afterthoughts-on-documentary-photography/
- Martha Rosler 1981 “Documentary photography1 has come to represent the social conscience of liberal sensibility presented in visual imagery (though its roots are somewhat more diverse and include the “artless” control motives of police record keeping and surveillance).”
photography - martha rosler
- https://www.martharosler.net/photography
- In the Place of the Public: Airport Series (1983 - present) Transitions & Digressions (1981 - present) Cuba, January 1981 (1981, 2012)
Post Documentary Photography – What is Documentary …
- https://lhiggins3396ethicsanddocumentaryphotography.wordpress.com/2014/03/13/post-documentary-photography-what-is-documentary-photography/
- Martha Rosler then continues, ‘Documentary still exists, still functions socially in one way or another. Liberalism may have been routed, but its cultural expressions still survive. ... In the book Post Documentary, Post Photography, 1996, Martha Rosler askes the question, ‘Do documentary photographs humanise their subjects?’ ...
Temporality and the Alpine Way: an exploration of post …
- https://fusion-journal.com/issue/004-fusion-the-town-and-the-city/temporality-and-the-alpine-way-an-exploration-of-post-photography-and-post-documentary/
- What Rosler pinpoints here is what has evolved into contemporary post-documentary practice. No longer is the documentary photograph bound to inert realism and singular histories; rather, documentary practice has now been opened up to the mining of archival material, multiple narratives and alternate means of viewer interactivity.
In, around, and afterthoughts (on documentary photography) …
- https://miltblog.myblog.arts.ac.uk/2020/07/14/in-around-and-afterthoughts-on-documentary-photography-1981-martha-rosler/
- In, around, and afterthoughts (on documentary photography) (1981) Martha Rosler Documentary photography has been much more comfortable in the company of moralism than wedded to a rhetoric or program of revolutionary politics.
Rosler photo - Portland State University
- http://web.pdx.edu/~vcc/Seminar/Rosler_photo.pdf
- In, around, and afterthoughts (on documentary photography) (1981) Martha Rosler 1. The Bowery, in New York, is an archetypal skid row. It has been much photographed, in works veering between outraged moral sensitivity and sheer slumming spectacle. Why is the Bowery so magnetic to documentarians? It is no longer possible to
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