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Photography | MoMA
- https://www.moma.org/collection/about/curatorial-departments/photography
- The Museum of Modern Art (MoMA) began collecting modern photography in 1930 and established the department in 1940. The Museum’s holdings of more than 25,000 works constitute one of the most important collections of modern and contemporary photography in the world. As diverse as photography itself, the collection includes work not only by artists, but …
MoMA | Photography
- https://www.moma.org/learn/moma_learning/themes/photography/
- Since its invention in 1839, photography has served as a medium for documenting, understanding, and interpreting the world. It has radically contributed to the evolution of visual representation, in part by allowing for the documentation of a moment in time, and, because of its inherent reproducibility, by enabling the wide circulation and distribution of images—which has exploded …
MoMA | The Photographic Record
- https://www.moma.org/learn/moma_learning/themes/photography/the-photographic-record/
- Shortly after photography’s invention in 1839, rapid and succeeding technological advancements allowed photographic images to be adopted as memory aides, surrogates for direct observation, and even trustworthy duplicates of important documents. Photographs can provide glimpses into lives past, long-ago events, and forgotten places.They can help shape our understanding of …
502: Early Photography and Film | MoMA
- https://www.moma.org/calendar/galleries/5165
- MoMA, Floor 5, 502 The Alfred H. Barr, Jr. Galleries. When photography and film first appeared in the 19th century, they fascinated viewers with their ability not only to record but also to reinvent reality. These technologies reshaped the visual culture of the time, providing an alternative to traditional methods of image-making involving hand ...
Film series | MoMA
- https://www.moma.org/calendar/film
- Film at MoMA is made possible by CHANEL. Additional support is provided by the Annual Film Fund. Leadership support for the Annual Film Fund is provided by Debra and Leon D. Black and by Steven Tisch, with major contributions from The Contemporary Arts Council of The Museum of Modern Art, Jo Carole and Ronald S. Lauder, MoMA’s Wallis Annenberg Fund for Innovation in …
Film | MoMA
- https://www.moma.org/collection/about/curatorial-departments/film
- Founded in 1935 as the Film Library, this department’s collection now includes more than 30,000 films and 1.5 million film stills; the strongest international film collection in the United States, it incorporates all periods and genres. Among the holdings are original negatives of the Biograph and Edison companies, and the world’s largest collection of D. W. Griffith films. The film ...
New Documents | MoMA
- https://www.moma.org/calendar/exhibitions/3487
- Exhibition. Feb 28–May 7, 1967. This modestly scaled exhibition, featuring work by three (then) young and relatively unknown photographers named Diane Arbus, Lee Friedlander, and Garry Winogrand, had a lasting influence on modern photography. As curator John Szarkowski explained in his introduction to the exhibition, the three represented a new generation of …
Dorothea Lange. Migrant Mother, Nipomo, California.
- https://www.moma.org/collection/works/50989
- Gelatin silver print, printed 1949. 11 1/8 × 8 9/16" (28.3 × 21.8 cm). Gift of the artist. 331.1995. Photography. Skip to main ... Lange’s work connected the descriptive style of documentary photography with the principle of social engagement. ... 375 Works from The Museum of Modern Art, New York (New York: The Museum of Modern Art, 2019 ...
Photography · SFMOMA
- https://www.sfmoma.org/artists-artworks/photography/
- Coke saw himself as a counterweight to the traditions and philosophy of the Museum of Modern Art, New York. He sought to build a distinctive program, and instead of collecting the documentary tradition of photography being championed in New York, he promoted highly experimental, self-consciously artistic work.
Dorothea Lange and the Afterlife of Photographs - Aperture
- https://aperture.org/editorial/dorothea-lange-moma-exhibition/
- Courtesy the Museum of Modern Art, New York. Lange’s contention pinpoints a dilemma at the heart of all documentary photography: despite the tremendous evidentiary potential of the image to document historically specific effects and relations of power, it still relies on the inherently ambiguous medium of photographic realism, particularly ...
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