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The New New Topographics School of Photography
- https://www.danieljoderphotography.com/the-new-new-topographics-school-of-photography/#:~:text=%E2%80%9C%20New%20Topographics%20%E2%80%9D%20refers%20to%20a%20movement,today%29%20in%20both%20Germany%20and%20the%20United%20States.
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New topographics | Tate
- https://www.tate.org.uk/art/art-terms/n/new-topographics
- New topographics was a term coined by William Jenkins in 1975 to describe a group of American photographers (such as Robert Adams and Lewis Baltz) whose pictures had a similar banal aesthetic, in that they were formal, mostly black and white prints of the urban landscape. Many of the photographers associated with new topographics including Robert Adams, Lewis Baltz, …
New Topographic Photography – The Bigger Picture
- https://thebigpicture.photos/new-topographic-photography/
- The movement culminated in an exhibition in the USA in 1975 –“New Topographics: Photographs of a Man-Altered Landscape in which eight young American photographers: Robert Adams, Lewis Baltz, Joe Deal, Frank Gohike, Nichcolas Nizon, John Schott, Stephen Shore and Henry Wessel. exhibited together with Bernd and Hilla Becher. Each photographer in the New Topographics …
New Topographics: Photographs of a Man-Altered …
- https://www.sfmoma.org/exhibition/new-topographics/
- A turning point in the history of photography, the 1975 exhibition New Topographics signaled a radical shift away from traditional depictions of landscape. Pictures of transcendent natural vistas gave way to unromanticized views of stark industrial landscapes, suburban sprawl, and everyday scenes not usually given a second glance. This restaging of the …
New Topographics: photographs that find beauty in the …
- https://www.theguardian.com/artanddesign/2010/feb/08/new-topographics-photographs-american-landscapes
- 31. I t is 35 years since the term "new topographics" was coined by William Jenkins, curator of a group show of American landscape photography held at George Eastman House in Rochester, New York ...
New Topographics – Smarthistory
- https://smarthistory.org/new-topographics/
- On the one hand, New Topographics represented a radical shift by redefining the subject of landscape photography as the built (as opposed to the natural) environment. To comprehend the significance of this, it helps to consider the type of imagery that previously dominated the genre in the United States.
New Topographics - Artsy
- https://www.artsy.net/gene/new-topographics
- The label has its origins in a 1975 exhibition at the International Museum of Photography in Rochester, NY. Key artists from the exhibit include Robert Adams, Bernd and Hilla Becher, Joe Deal, and Stephen Shore. The New Topographics were influential on much of contemporary photography, particularly Becher students like Thomas Struth, Andreas Gursky, Thomas Ruff …
New Topographics in America, Part One | Art History Unstuffed
- https://arthistoryunstuffed.com/new-topographics-in-america/
- Impacted by the new environmental movement, American Topographics was one of the major photographic attitudes of the 1970s, concentrating on measuring the change with an eye to conservation and ecology and most of all to the fate of landscape. If one takes the growing environmental movement into account, it is tempting to read more political meaning into the …
I Venture Into the “New Topographics Movement”
- https://sterlingimages.com/2018/04/10/i-venture-into-the-new-topographics-movement/
- This image, at least conceptually, fits into the “New Topographics” framework. The exhibit was famous for showing things like tract housing from the 1960s in the west. This image shows what evolved from the coal mining camps in southern West Virginia. Along Rt. 52, McDowell County, WV. More images to come.
Scott Jolliff | Contemporary Photography - New Topographics
- https://scottjolliff.com/new-topographics
- "New Topographics: Photographs of a Man-Altered Landscape" was an exhibition at the International Museum of Photography, George Eastman House (Rochester, New York) 1975. New Topographics ushered in a new movement and style to landscape photography focusing primarily on finding form and beauty in everyday man-made banality.
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