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Brisbane based photographer

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Paul Strand Photography Style

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Paul Strand Photography, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/strand-paul/#:~:text=It%20was%20perhaps%20Paul%20Strand%20who%20carved%20out,ignored%20subjects%20in%20the%20name%20of%20fine%20art.
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Paul Strand Photography, Bio, Ideas | TheArtStory

    https://www.theartstory.org/artist/strand-paul/
    It was perhaps Paul Strand who carved out a most unique position amongst them. Strand is often discussed as the architect of the so-called Straight Photography; a pure photographic style that utilized large format cameras to record, and bring new perspectives to ordinary or previously ignored subjects in the name of fine art.

Paul Strand | International Center of Photography

    https://www.icp.org/browse/archive/constituents/paul-strand
    Strand advocated "straight photography," and photographed street portraits to city scenes, machine forms, and plants with his distinctive clarity, precision, and geometric form. From 1904-09, he studied photography under Lewis Hine at the Ethical Culture School in …

Paul Strand | International Photography Hall of Fame

    https://iphf.org/inductees/paul-strand/
    Thus, he created a style of photography that was both direct and dynamic. Paul Strand was born in New York City on October 16, 1890. His father gave him his first camera when he was twelve. In 1907, he enrolled at the Ethical Culture School where he was strongly influenced by one of his teachers, Lewis W. Hine.

On Photography: Paul Strand, 1890-1976 - Photofocus

    https://photofocus.com/inspiration/on-photography-paul-strand-1890-1976/
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Paul Strand | Artnet

    https://artnet.com/artists/paul-strand/
    (American, 1890–1976) Paul Strand was an American artist who made significant contributions to the canon of 20th-century photography. Strand’s breadth of skill in the medium are exemplified both in his abstraction of architecture and shadows in Wall Street (1915) and his empathetic documentation of society in Blind (1916).

Paul Strand | American photographer | Britannica

    https://www.britannica.com/biography/Paul-Strand
    © 1971, Aperture Foundation, Inc., Paul Strand Archive Strand rejected the then-popular style of Pictorialism, which emulated the effects of painting in photographs by manipulating negatives and prints, in favour of achieving the minute detail and rich, subtle tonal range afforded by the use of large-format cameras.

Paul Strand | Photography and Biography - Famous …

    https://www.famousphotographers.net/paul-strand
    Though he became a self-employed commercial photographer in the later that year. Strand dedicated himself to photography and under the guidance of his mentor Stieglitz; he focused his work on three principles: movement in the city, abstraction and street portrait. In 1916, his early work like Wall Street appeared in Camera Work.

How Paul Strand Paved the Way For Photographic …

    https://www.anothermag.com/art-photography/8482/how-paul-strand-paved-the-way-for-photographic-modernism
    Captivated by the cubist aesthetic, Strand set out to experiment with abstraction within his photography. From shadow plays on a front porch to close-ups of stoneware, Strand’s abstract years were crucial in the development of his picture-building skills. Paul Strand, Anna Attinga Frafra, Acca, Ghana, 1964 © Paul Strand Archive, Aperture Foundation

Paul Strand Biography - Life of American Photographer

    https://totallyhistory.com/paul-strand/
    He drove himself to be a true standout as an artist. Strand’s Photography Style The work of Strand was quite interesting. On one end of his artistic spectrum, Strand attempted to use his work as a means of social reform. On the other end, he experimented in abstract photo art, which was quite atypical of a concept.

Paul Strand's Photographs of Mexico - The Art of the Photogravure

    https://photogravure.com/highlights/paul-strand-photographs-of-mexico/
    Paul Strand (1890–1976) is considered one of the most significant photographers of the 20th century. His breakthrough work in the 1910s heralded photography’s importance as a modern art form. Early in his career he broke from the soft, impressionistic Pictorialist style to produce among the first abstract images made with a camera.

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