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Sabine Pearlman
- http://www.pearlmanphotography.com/
- “AMMO,” by Sabine Pearlman, takes the analytical approach, compelling the viewer to admire the craftsmanship and intact delicacy of objects whose raison d’être is obliteration. Her documentation of bisected live rounds exposes the intense thought and detail used to cause destruction of life.
About AMMO — Sabine Pearlman
- http://www.pearlmanphotography.com/about-ammo
- Fine art photographer Sabine Pearlman created a photo series of ammunition cross-sections, entitled “AMMO.” By exposing the otherwise invisible architecture of these cartridges, she offers the viewer what some see as pristine Zen-like perfection of parts and what others see as the epitome of horror.
Sabine Pearlman Airport Campus | 18th Street Arts Center
- https://18thstreet.org/artists/sabine-pearlman/
- Sabine Pearlman is an Austrian born photographer who is currently based in Los Angeles, California. Her works usually investigate the stories behind objects and their deeper meaning, as in her widely exhibited series AMMO, in which she …
Sabine Pearlman Photography - Facebook
- https://www.facebook.com/people/Sabine-Pearlman-Photography/100063806166152/
- Sabine Pearlman Photography. 2,493 likes. Artist
AMMO - Photographs and text bySabine Pearlman
- https://www.lensculture.com/articles/sabine-pearlman-ammo
- Sabine Pearlman photographed over 900 cross-sections of modern ammunition. The photographs reveal a hidden complexity and beauty of form, which stands in vast contrast to the destructive purpose of the objects. Photographs and text bySabine Pearlman View Images
PLASTIK — Sabine Pearlman
- http://www.pearlmanphotography.com/plastik
- (Photograph: Sabine Pearlman) Ingested Plastic Pieces These are plastic pieces found inside the stomachs of young albatross birds. Each photograph represents the bolus contents of one bird.
Sabine Pearlman : Ammo
- https://trendland.com/sabine-pearlman-ammo/
- Sabine Pearlman’s “Ammo” series takes an up close look at ammunition, presenting a cross section of 900 different types which the photographer shot from inside a Swiss WWII bunker. According to Pearlman, “the cross sections reveal a hidden complexity and beauty of form, [representing] evil and the beautiful, a reflection of the human condition.”
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