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Realisms and Indexicalities of Photographic Propositions
- https://www.journals.uchicago.edu/doi/full/10.1086/690032
- Abstract In the eras of both film-based and digital photography, and to differing degrees and with differing consequences in documentary and art photography, the role of indexicality in establishing the veracity of the image has been paramount in photo theory. There is a need, however, for expanding the ways we think about indexicality in photography. In addition to the …
What Does Indexical Nature Of Photography Mean – Fusiontr.com
- https://fusiontr.com/what-does-indexical-nature-of-photography-mean/
- There is a need, withal, for expanding the ways nosotros think about indexicality in photography. In addition to the familiar concepts of the trace, citation, reference, social diacritics, interactional cues, and artists’ intentions, the indexicality of photography may be better understood through appeal to less direct, or more densely ...
The iconic indexicality of photography | Piotr Sadowski
- https://benjamins.com/catalog/ill.10.20sad
- The unique visual appeal of photography results from combining the basically iconic code (resemblance between image and referent) with indexicality. …
Photographic Indexicality and Referentiality in the Digital …
- https://www.academia.edu/35845202/Photographic_Indexicality_and_Referentiality_in_the_Digital_Age
- Indexicality can be seen as a 12 Amelunxen prefers the term “analogo-numerical photography” in place of “digital image.” 101 Proceedings of the European Society for Aesthetics, vol. 9, 2017 Koray Değirmenci Photographic Indexicality and Referentiality in the Digital Age _____ distinctive feature of photography as long as it is tied to ...
‘Unfixing the Photographic Image: Photography, …
- https://www.academia.edu/151414/_Unfixing_the_Photographic_Image_Photography_Indexicality_Fidelity_and_Normativity_
- That is to say, if it seems nigh impossible for photography to shrug off indexicality entirely, then this is because critics have all too often similarly ontologized the medium too quickly, examined only the photographic product (the photograph) and the discursive practices that come to produce the mediated ‘reality’ of the photograph, yet ...
Unfixing the photographic image: Photography, …
- https://www.researchgate.net/publication/43505339_Unfixing_the_photographic_image_Photography_indexicality_fidelity_and_normativity
- the primary mechanico-photochemical action that brings the photograph from latency into the. visual field (the fix) is taken to be the essence of photography, the guarantee of …
Indexicality - Wikipedia
- https://en.wikipedia.org/wiki/Indexicality
- Indexicality. In semiotics, linguistics, anthropology, and philosophy of language, indexicality is the phenomenon of a sign pointing to (or indexing) some object in the context in which it occurs. A sign that signifies indexically is called an index or, in philosophy, an indexical . The modern concept originates in the semiotic theory of ...
Digital Technology, Indexicality, and Cinema - OpenEdition
- https://journals.openedition.org/estetica/1655?lang=en
- Indexicality, photography and the requirements for photographic art. 6 A sheet of canvas covered with paint marks, an image printed from a photographic negative, and a sequence of images and sounds projected onto a screen may all be the material manifestations of artworks. In each case, we are presented with a perceptual manifold.
Indexicality and Visualization: Exploring Analogies with Art, …
- https://mariandoerk.de/papers/cc2013.pdf
- painting in particular [3]. Photography’s claim to indexicality is firstly drawn from the physical continuity from light reflecting from the physical world to the photosensitive crystals on photographic film and thence, through an enlarger, on to paper. Photography’s appeal was partly in presenting an indubitable record of the real world.
Truth claim (photography) - Wikipedia
- https://en.wikipedia.org/wiki/Truth_claim_(photography)
- Indexicality. Charles Peirce's term 'indexicality' refers to the physical relationship between the object photographed and the resulting image. Paul Levinson emphasises the ability of photography to capture or reflect "a literal energy configuration from the real world" through a chemical process. Light sensitive emulsion on the photographic negative is transformed by …
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