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'Racism' of early colour photography explored in art exhibition
- https://www.theguardian.com/artanddesign/2013/jan/25/racism-colour-photography-exhibition
- 'Racism' of early colour photography explored in art exhibition Artists spent a month in South Africa taking pictures on decades-old film engineered with …
'Racism' of early colour photography - Photo weekly
- https://photographweekly.weebly.com/articles/racism-of-early-colour-photography
- 'Racism' of early colour photography explored in art exhibition Artists spent a month in South Africa taking pictures on decades-old film engineered with only white faces in mind 'Kodak Shirley' cards used for calibrating skin tones in photographs were named after the first model featured. Photograph: Adam Broomberg And Oliver Chanarin/Goodman Gallery
‘Racism’ of early colour photography - Newspaper - DAWN.COM
- https://www.dawn.com/news/781524/racism-of-early-colour-photography
- ‘Racism’ of early colour photography David Smith Published January 27, 2013 CAN the camera be racist? The question is explored in an exhibition that …
Exhibition Explores Racism in Early Color Photography
- https://petapixel.com/2013/01/27/exhibition-explores-racism-in-early-color-photography/
- One would hope that the medium of photography was immune to racial prejudice, but an exhibit by London-based artists Adam Broomberg and Oliver …
Racism in Photography | IndyKids
- https://indykids.org/racism-in-photography/
- Early color cinematography and photography developed during segregation and the Jim Crow-era, a time of violent racism for African Americans. Decades later, artists Adam Broomberg and Oliver Chanarin took photos in South Africa using Polaroid’s vintage camera model ID-2.
Light And Dark: The Racial Biases That Remain In Photography
- https://www.npr.org/sections/codeswitch/2014/04/16/303721251/light-and-dark-the-racial-biases-that-remain-in-photography
- When Syreeta McFadden was young, she dreaded being photographed. Cameras made her skin look darkened and distorted. Now a photographer herself, she's learned to …
The Racial Bias Built Into Photography - The New York Times
- https://www.nytimes.com/2019/04/25/lens/sarah-lewis-racial-bias-photography.html
- Concordia University professor Lorna Roth’s research has shown that it took complaints from corporate furniture and chocolate manufacturers in the 1960s and 1970s for Kodak to …
The Unfortunate History of Racial Bias In Photography
- https://www.slrlounge.com/unfortunate-history-racial-bias-photography/
- Meet Shirley, well one of them at least, if not the original from Eastman Kodak. A fair skinned woman who served as the generalized skin standard for color film toning in the 1940s & 50s, and although the subject changed overtime, the name stuck like glue and one factor remained constant: caucasian skin. Color film consists of color sensitive layers stacked on each other …
Visualizing racism: A collection of photo essays - Washington Post
- https://www.washingtonpost.com/magazine/2019/11/25/visualizing-racism-photo-essay/
- Race and racism go hand-in-hand, back-and-forth in different directions. “Skin Tones” visualizes this idea through the use of color blocks — based on the human skin tone set. The faces are...
A Quick History of Color Photography (for Photographers)
- https://photography.tutsplus.com/articles/the-reception-of-color-photography-a-brief-history--cms-28333
- When photography was invented in 1839, it was a black-and-white medium, and it remained that way for almost one hundred years. Photography then was a fragile, cumbersome, and expensive process. In order to practice, photographers needed a lot of extra money and time, or a sponsor. In that early period, the people advancing photographic ...
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