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Anandi Ramamurthy's "Constructions of Illusion: …
- https://www.scribd.com/document/437942842/Anandi-Ramamurthy-s-Constructions-of-illusion-Photography-and-Commodity-Culture
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Spectacles and illusions | Photography and commodity culture
- https://www.taylorfrancis.com/chapters/edit/10.4324/9780429274183-6/spectacles-illusions-anandi-ramamurthy
- Photography and commodity culture. By Anandi Ramamurthy. Book Photography. Click here to navigate to parent product. Edition 6th Edition. First Published 2021. Imprint Routledge.
Spectacles and illusions: photography and commodity …
- https://clok.uclan.ac.uk/2095/
- Ramamurthy, Anandi (2004) Spectacles and illusions: photography and commodity culture. In: Photography: a critical introduction. Routledge, London, pp. 193-244. ISBN 978-0415307048 Full text not available from this repository.
Spectacles and illusions: photography and commodity …
- https://shura.shu.ac.uk/10483/
- RAMAMURTHY, Anandi (2015). Spectacles and illusions: photography and commodity culture. In: Photography: a critical introduction. London, Routledge, 205-256.
ASSIGNMENT SEQUENCE 2
- https://faculty.washington.edu/rikitiki/Assignments/AssignmentSeq3_Ramamurthy.htm
- In Anandi Ramamurthy’s article “Constructions of Illusion: Photography and Commodity Culture,” she argues that “[t]he photograph is both a cultural tool which has been commodified as well as a tool that has been used to express commodity culture through advertisements and other marketing material” (631).
Spectacles and illusions: photography and commodity …
- https://clok.uclan.ac.uk/6678/
- Ramamurthy, Anandi (2009) Spectacles and illusions: photography and commodity culture. In: Photography: a critical introduction, Fourth Edition. Routledge, London/New York, pp. 205-256. ISBN 978-0-415-46027-9
Contemporary Culture Is So RAD!!!: Commodity Fetishism
- https://iloveccm.blogspot.com/2006/05/commodity-fetishism.html
- Using both semiotic analysis and the active audience analysis of Hall’s Encoding/Decoding model, Ramamurthy explains how commodity are objects that have been imbued with “human qualities” with the use of cultural categories like gender, class, and race/ethnicity, to benefit advertisements in the form of capitalism. Reflection
Photographic portraiture and commodity culture
- https://amanopeopleandplaceoca.blogspot.com/2010/04/photographic-portraiture-and-commodity.html
- Photographic portraiture and commodity culture In Liz Wells' book "Photography: A Critical Introduction", there is a section by Anandi Ramamurthy concerning the development of portraiture photography and the important role it played in the development of photography. ... These kind of photographs are themselves an expression of bourgeois ...
Spectacles and illusions: photography and commodity culture ...
- https://www.taylorfrancis.com/chapters/mono/10.4324/9781315727370-13/spectacles-illusions-photography-commodity-culture-anandiramamurthy-liz-wells
- Like any cultural and technical development, the development of photography has been influenced by its social and economic context. The photograph is both a cultural tool which has been commodified as well as a tool that has been used to express commodity culture through advertisements and other marketing material.
Spectacles and illusions: photography and commodity …
- https://shura.shu.ac.uk/id/eprint/10482
- Duplicate ISBN to Spectacles and illusions: photography and commodity culture Live Archive, Helen Garner - [ Manage ] [ Compare & Merge ] [ Acknowledge ] Login SHURA home
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