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Albert Renger-Patzsch | MoMA
- https://www.moma.org/artists/4866
- In 1928 Renger-Patzsch moved to Essen, Germany, and from 1933 to 1934 he taught at and ran the Pictorialist Photography department at the Folkwangschule there. From 1940 to 1944 Renger- Patzsch worked as a war correspondent. In 1945 Renger-Patzsch moved to Wamel bei Soest where he devoted most of his time to landscape photography.
Albert Renger-Patzsch | German photographer | Britannica
- https://www.britannica.com/biography/Albert-Renger-Patzsch
- Albert Renger-Patzsch, (born June 22, 1897, Würzburg, Bavaria [Germany]—died September 27, 1966, Wamel Dorf, Über Soest, West Germany), German photographer whose cool, detached images formed the photographic component of the Neue Sachlichkeit (“New Objectivity”) movement. Renger-Patzsch experimented with photography as a teenager.
Monday’s Photography Inspiration – Albert Renger – Patzsch
- https://photographyandvision.com/2021/05/24/mondays-photography-inspiration-albert-renger-patzsch/
- Albert Renger – Patzsch was a German photographer whose cool, detached images formed the photographic component of the Neue Sachlichkeit associated with the New Objectivity. Born in Würzburg and began experimenting with photography by age twelve. After serving in the military in World War I, he studied chemistry at Dresden Technical College.
Albert Renger-Patzsch (The J. Paul Getty Museum …
- https://www.getty.edu/art/collection/person/103KHR
- Albert Renger-Patzsch (German, 1897 - 1966) ... New photography and content are uploaded to these pages regularly. The collection includes content that may not be suitable for all viewers. Words and phrases ascribed by the creators of certain works of art may be considered derogatory, offensive, or graphic in nature. The images, their ...
Albert Renger-Patzsch | Reframing Photography
- https://reframingphotography.com/content/albert-renger-patzsch
- Albert Renger-Patzsch at Zabriskie Gallery http://www.zabriskiegallery.com/exhibition.php?ex=16 Albert Renger-Patzsch, Shoemaking Irons, Fagus Works, Alfeld, 1928. © Albert Renger-Patzsch Archiv / Ann und Jürgen Wilde, Zülpich / VG Bildkunst, Bonn / DACS, London 2010.
Albert Renger-Patzsch - Kirsty Lewis A-level Photography
- http://kirstylewisphotography.weebly.com/albert-renger-patzsch.html
- Renger-Patzsch had a very positive attitude towards photography, in his book he wrote "There must be an increase in the joy one takes in an object, and the photographer should be fully conscious of the splendid fidelity of reproduction made possible by his technique".
Albert Renger-Patzsch 1897–1966 | Tate
- https://www.tate.org.uk/art/artists/albert-renger-patzsch-2709
- Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated with the New Objectivity. This biography is from Wikipedia under an Attribution-ShareAlike Creative Commons License. Spotted a problem? Let us know. Read full Wikipedia entry Artworks Albert Renger-Patzsch Saxon Hosiery Weaver at a Handloom 1928–48
History of Art: History of Photography - all-art
- https://www.all-art.org/20ct_photo/Renger-Patzsch1.htm
- Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated with the New Objectivity. Renger-Patzsch was born in Würzburg and began making photographs by age twelve. After military service in the First World War he studied chemistry at Dresden Technical College.
New Objectivity by Albert Renger-Patzsch (686PH) - Atlas …
- https://atlasofplaces.com/photography/new-objectivity/
- Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated with the New Objectivity. Renger-Patzsch was born in Würzburg and began making photographs by age twelve. After military service in the First World War he studied chemistry at Dresden Technical College.
Albert Renger-Patzsch - Wikipedia
- https://en.wikipedia.org/wiki/Albert_Renger-Patzsch
- Like Edward Weston in the United States, Renger-Patzsch believed that the value of photography was in its ability to reproduce the texture of reality, and to represent the essence of an object. He wrote: "The secret of a good photograph—which, like …
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