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10 Photo-Editing Flubs: Digitally Altered Photo Disasters
- https://abcnews.go.com/Technology/story?id=8425991
- According to the National Press Photographers Association, the magazine referred to the change as the "retroactive repositioning of the photographer," explaining that had the photographer been in ...
NPPA Special Report: Ethics in the Age of Digital Photography
- https://nppa.org/page/5127
- They referred to it as the "retroactive repositioning of the photographer," (one of the great euphemisms of our age) saying that if the photographer had been a little to one side or the other, this is what he would have gotten. The photographer was not 10 feet to the right and he did not get the photo they wanted so they created a visual lie.
When Images "Lie": Traveling to the Pyramids with National …
- https://thecurrent.educatorinnovator.org/resource/when-images-lie-traveling-to-the-pyramids-with-national-geographic-and-thinking-about-photo-illustrations-with-martha-stewart
- The editor at the time referred to this technique as “retroactive repositioning of the photographer.” The technique was actually physically cutting pictures and moving the pyramids closer together — an act easy to accomplish today with adobe Photoshop, but which required a craft knife, a steady hand, and a good deal of patience back in 1982.
NYT Photo, Post on Christina Hendricks Sparks Controversy
- https://abcnews.go.com/Technology/nyt-photo-post-christina-hendricks-sparks-controversy/story?id=9623129
- According to the National Press Photographers Association, the magazine referred to the change as the "retroactive repositioning of the photographer," explaining that had the photographer been in ...
Photography's Ghosts: The Image and Its Artifice | The Nation
- https://www.thenation.com/article/archive/photographys-ghosts-image-and-its-artifice/
- Later, National Geographic editor in chief Wilbur Garrett reportedly claimed that the fix equaled, in Ritchin’s words, “merely the retroactive repositioning of the photographer a …
Fred Ritchin The Post-Photographic Challenge | Design viral
- https://designviral.ch/observatoire/fred-ritchin-article2/
- Two years later the modi cation was explained to me by the magazine’s editor as, in his opinion, merely the retroactive repositioning of the photographer a few feet to one side so as to get another point of view. In 1982, surprisingly, National Geographic had already embraced a version of photographic time travel. In the digital environment the “decisive moment,” photographer …
Ethics in the Age of Digital Photography
- https://www.teachersnetwork.org/everywhere/langford/photowebsite/lessons/Lesson%20on%20Ethics/Digital%20Manipulation.pdf
- "retroactive repositioning of the photographer," (one of the great euphemisms of our age) saying that if the photographer had been a little to one side or the other, this is what he would have gotten. The photographer was not 10 feet to the right and he did not get the photo they wanted so they created a visual lie.
Feature Photography | bilalkuchay12
- https://bilalkuchay12.wordpress.com/2011/06/11/feature-photography/
- National Geographic had a horizontal photo of the pyramids in Egypt and wanted to make a vertical cover from it. They put the photo in a computer and squeezed the pyramids together, a difficult task in real life but an easy task for the computer.they reffered to it as the “retroactive repositioning of the photographer”.
Digital Art Response | Monte A. Smith
- https://montesmith13.wordpress.com/2010/01/29/digital-art-response/
- They called this action a “retroactive repositioning of the photographer”, claiming that if the photographer had been in a slightly different position the resulting photograph would have matched the manipulated one. This example happened in 1982.
Results Page 46 Photographic techniques | Cram
- https://www.cram.com/subjects/photographic-techniques/46
- The editor at the time, Wilbur E. Garrett, referred to the manipulation of this photo as the technique of retroactive repositioning of the photographer. Garrett is saying, using this technique, it is the establishment of a new point of view, as if Gahan had been moved a few feet over.
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