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PHOTOGRAPHY AS A REPRESENTATIONAL ART - OUP Academic
- https://academic.oup.com/bjaesthetics/article-abstract/29/1/1/84632
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Robert Wicks, Photography as a representational art - PhilPapers
- https://philpapers.org/rec/WICPAA
- Four Arts of Photography. Dominic McIver Lopes - 2015 - Wiley. The Real Challenge to Photography (as Communicative Representational Art). Robert Hopkins - 2015 - Journal of the American Philosophical Association 1 (2):329-348. Add more citations.
Works by Robert Wicks - PhilPapers
- https://philpapers.org/s/Robert%20Wicks
- Robert Wicks - 1993 - Journal of Aesthetics and Art Criticism 53 (3):336-338. Aesthetics. Direct download . Export citation ... Photography as a Representational Art. Robert Wicks - 1989 - British Journal of Aesthetics 29 (1):1-9. Art and Artworks, Misc in Aesthetics.
Robert Wicks Artwork for Sale at Online Auction - Invaluable
- https://www.invaluable.com/artist/wicks-robert-odegk0b6xz/
- View Robert Wicks biographical information, artworks upcoming at auction, and sale prices from our price archives. ... Photography (2006) Posters (2984) Prints (15876) Sculptures (5058) Decorative Art. ... Signed; 35" x 23 1/2"; Exhibition: "Dusty Glory: The Circus in American Art", Cahoon Museum of American Art, Cotuit, MA, June 14-July 30 ...
Robert Wicks Paintings & Artwork for Sale | Robert Wicks Art …
- https://www.invaluable.com/artist/wicks-robert-odegk0b6xz/sold-at-auction-prices/
- View Robert Wicks artworks sold at auction to research and compare prices. ... Auction Houses. Artists. Fine Art. View All Fine Art; Drawings (1591) Mixed Media Art (1156) Paintings (9367) Photography (882) Posters (1954) Prints (11440) Sculptures (3883) Decorative Art. ... Browse available items from Robert Wicks or follow this artist to be ...
The Real Challenge to Photography (as Communicative …
- https://www.cambridge.org/core/journals/journal-of-the-american-philosophical-association/article/real-challenge-to-photography-as-communicative-representational-art/A336216EC6196D5165625AEC8264E7AB
- I begin by explaining the key terms, authentic photography (section 1) and communicative representational art (section 2). In essence, authentic photography is the kind that fits the image of ‘registering’ or ‘imprinting’, and communicative representational art is art that uses representation to communicate thought.
The Real Challenge to Photography (as Communicative …
- https://www.cambridge.org/core/journals/journal-of-the-american-philosophical-association/article/abs/real-challenge-to-photography-as-communicative-representational-art/A336216EC6196D5165625AEC8264E7AB
- Communicative representational art (in any medium: photography, painting, literature, music, etc.) is art that exploits the resources of representation to achieve artistically interesting communication of thought. The central resources of representation are content, vehicle properties, and the interplay between these two.
The Real Challenge to Photography (as Communicative …
- https://www.researchgate.net/publication/282619939_The_Real_Challenge_to_Photography_as_Communicative_Representational_Art
- In The Real Challenge to Photography (as a communicative representational art), Robert Hopkins claims that a particular and significant kind of photography – what he calls ‘authentic ...
Transparent Representation: Photography and the Art of Casting
- https://academic.oup.com/jaac/article/70/1/9/5980240
- Roger Scruton, in his essay “Photography and Representation,” notoriously argued that photography is not a representational art form. 1 Not only did he argue that one cannot have a genuine aesthetic interest in the representational natures, broadly understood, of photographs, but he also argued that in a narrower and more important sense, photographs are not even …
Photography and Representation - JSTOR
- https://www.jstor.org/stable/1343119
- Photography and Representation Roger Scruton Critics and philosophers have occasionally been troubled by the question whether the cinema is an independent art form-independent, that is, of the theatre, from which it borrows so many conventions.' This ques-tion can be traced back to a more basic one, the question whether pho-
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